Firebrand Risk
Breeching Halcyon Hall
May 31, 2024
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Bennett School for Girls, Halcyon Hall

Panel 1. Halcyon Hall, Millbrook, New York, nighttime. The windows glow with light. The shrubbery able to be seen is tidy. The building exudes stateliness and warmth.

Panel 2. Babette de Benedetto—late teens—is kneeling, pressed up against the stone wall of Halcyon Hall. Her curly, black hair is knotted in a bun. She wears trousers and a long-sleeved blouse, but a short, black cape covers most of her torso.

Panel 3. Babette holds a Colt pistol, pointing it down at the ground.

Panel 4. Arlene crouches next to Babette. She wears the same short, black cape as Babette, but is wearing the hood. Arlene has a strained, worried expression.

Arlene

The rest of campus is dark. It must only be the coven awake.

Panel 5. Arlene’s blue eyes widen in fright.

Arlene

Is that your father’s pistol?

Panel 6. Babette pulls on her hood.

Babette

Stay at my back.

Panel 7. Arlene grabs the end of Babette’s cape to stop her from fully standing.

Arlene

You mustn’t!

Babette

There is no other choice.

Arlene

But, Babette…

Babette

They should well know the consequences!

Panel 8. Babette stands, hand on the doorhandle ready to enter.

Babette (v.o.)

I gladly would leave this to others—

Panel 9. Babette charges through the door, gun drawn. Arlene follows with one hand out and the other clutching the gem hanging around her neck.

Babette (v.o. continue)

—but then I wouldn’t make a good leader.

Panel 10. A college-aged girl in black appears. Her outstretched hand has a chunky ring with a jewel on it. Her hand is glowing as if made of embers.

Panel 11. Babette squares herself and pulls the trigger.

Panel 12. The witch falls back, dead.

Panel 13. Arlene appears petrified. Babette is standing resolute, but her hand shakes.

Babette

They’ll be aware of us now. Stay guarded.

Panel 14. Arlene keeps her terrified expression.

Arlene

You killed…. This is too much. We cannot fight the whole Halcyon Coven just us two!

Panel 15. Babette grabs her wrist to steady her gun hand.

Babette

They mean to wipe us out. We had little choice.

Panel 16. They raced through the dimly lit, stately hall with Babette in the lead. Her gun stayed down while Arlene kept her pose with one hand up and one clutching her necklace. There are sounds of several people moving erratically upstairs, some shouts to alert others.

Panel 17. Babette shoots a witch on the stairs as she heads up. Arlene is facing the ground floor, blasting another witch off her feet with a slice of wind.

Panel 18. Babette glanced over her shoulder.

Babette

Don’t leave any alive!

Arlene

I cannot! That’s too far!

Panel 19. A fireball blasts apart a door at the top of the stairs, sending Babette stumbling down a few steps. The coven Matriarch—aged in her sixties with her hair and clothes stereotypical of a school marm—is framed by the destroyed doorway with her hand like embers.

Panel 20. Babette’s hood is off due to the blast. She glares at the Matriarch.

Panel 21. The Matriarch glares back.

Matriarch

It’s the de Benedetto Coven! Raid! It’s a raid!

Panel 22. Babette rushed towards the Matriarch.

Panel 23. Babette shoots once, twice, but the Matriarch deflects both with a mostly invisible shield.

Panel 24. Babette dives down, shooting low.

Panel 25. The Matriarch yelps, faltering, as the bullet rips the hem of her long dress, blasting the wooden floor.

Panel 26. Babette rolls towards the Matriarch, firing another shot. The Matriarch has already rushed from the path, swinging her hand down at the floor.

Panel 27. The floor splinters in a jagged line towards Babette.

Panel 28. Babette rips off her capelet, grips an Italian cameo pinned to her shirt, and throws her hand towards the floor. The line abruptly stops like slamming into an invisible wall.

Panel 29. The Matriarch’s face twists.

Matriarch

Secure the witchboy! Stop that little witch!

Panel 30. The Matriarch sneers.

Matriarch

Leave me to handle Babette.

Panel 31. Babette tucks the pistol away, glancing down towards Arlene.

Babette

Run, Arlene! Find him!

Panel 32. Babette holds out a hand like a shield, the other gripping the cameo. Arlene races off, still on the ground floor and trailed by two witches.

Panel 33. The Matriarch adjusts the clunky, gemmed bracelet on her wrist.

Babette (v.o.)

She is too practiced to tip her hand. She means to bait me to attack first.

Panel 34. Babette’s hand clutching the cameo glows.

Babette (v.o. continue)

So be it.

Panel 35. Babette clasps her hands together, pulling and swirling them apart to gather particles in the air.

Panel 36. The air between Babette’s hands turns smoky and sickly hued.

Panel 37. The Matriarch’s eyes widen fearfully; she steps back and starts to rapidly, repeatedly, draw a circle over her head.

38. Babette pulls her hands apart and disperses the smoky, sickly air towards the Matriarch. A gentle drizzle started over the Matriarch’s head, but she was now coughing.

39. Babette pulls her broach off her shirt and draws a line down her arm with the pin. A line of hot, glowing light follows the path.

Babette

Return my brother, and this ends.

40. The Matriarch snarls. Lightning is sparking on her fingertips. She is not coughing anymore, now sopping wet from the drizzle dispersing over her head.

41. The glowing light spreads across Babette’s arms, looking like lava and embers. The sparks on the Matriarch’s fingers look weak and dull in comparison. A hint of frustration over this is on her old face.

42. The Matriarch struck first this time, sending a jagged bolt of electricity directly towards Babette’s face.

43. Babette blocked with her arm, the magma light brightening as she absorbed the brunt of the magic. Babette clenched her teeth and winced as the residue electricity raced over her, static’ng her curls.

44. Babette counters with throwing a handful of glowing, hot rocks at the Matriarch with one hand, following with a blast of heat from her other.

45. The Matriarch waved her hand, deflecting the hot air. A burst of steam hisses as the rocks hit a wavering water shield.

46. The Matriarch shrieks as the rocks pepper her, knocking her to a knee.

47. Babette steps closer, burning brightly, and with more glowing rocks dancing in her hand. She is staring down at the Matriarch.

Babette

You should have returned my brother.

48. The Matriarch grits her teeth, flicking her hands.

49. The Matriarch stares at her hands in shock.

50. The Matriarch stares up at Babette with more fear than defiance as Babette’s shadow crosses over her.

51. Babette’s expression is grim as her flames light her face, the Matriarch’s cries and shrieks deafening.

52. Babette dashes off, pinning her broach back to her shirt. Over her shoulder is the charred remains of the Matriarch, still kneeling in place. The blackened floor is crumbling beneath her.

53. Babette is drained, sweat on her brow and hands shaking. She rests against a wall and hold her hand out.

54. Babette’s hand flickers a glow, dies, and leaves her with a pained expression.

Babette (v.o.)

I over exerted.

55. Babette checks the gun’s magazine.

Babette (v.o. continue)

I’ll need to reload next encounter.

56. Babette runs off.

Babette (v.o. continue)

I hope Arlene is safe.

57. Babette skids to a halt and ducks behind the corner she nearly clears.

58. Three witches loiter outside a wooden door, murmuring inaudibly. They appear bored and sleepy.

59. Babette’s face lights with excitement and relief.

Babette (v.o. continue)

There you are!

60. Babette steels herself, exhaling and holding the pistol ready.

61. Babette whips around the corner and fires.

62. The middle witch yelps as the bullet rips into her shoulder. The two others stare at her in puzzlement, defenses half-raised.

63. Babette drops the empty magazine, shoving a fresh one in place. She is still moving forward, zigzagging.

64. Babette fires again and hits the left witch squarely through the neck. The right witch is fully on defense. The middle witch is still crying and holding her shoulder.

65. Babette winces as the right witch lashes out, slicing her upper arm with a bright, mint green energy. Babette fires and hits the right witch just as the slice hits her arm.

66. The middle witch disappears inside the door they had been guarding.

67. Babette bursts through the door after her.

68. The room was a bathroom with three stalls and three sinks.

69. Babette looks at the tiled floor.

70. Blood droplets.

71. Babette keeps her pistol up near her shoulders, creeping along the blood trail.

72. Babette stops outside the last stall, at the end of the blood trail. Muffled, sobbing, wheezing is coming from inside.

73. Babette kicks open the door.

Babette

Where is the witchboy?

74. Babette pulls the trigger before the witch waves her hand or opens her mouth.

75. Babette storms into the hall, gun poised.

76. Babette runs up a floor.

77. The floor is empty, darkened, and full of closed doors. There is eerie creaking sounding throughout the hall.

78. Babette remove her broach, squeezing it hard enough for the pin to puncture her hand.

79. Blood droplet hits the wooden floor.

Babette (o.s.)

Truvari. Frati.

[Find. Brother.]

80. Babette falls against the wall, breathing hard. The blood droplet on the floor glows, and a thin line of light stretches from it.

81. Babette grits her teeth and staggers down the hall.

82. Babette turns a corner. Indistinct murmuring reaches her ears.

83. Babette squares against the door, taking a deep breath.

84. Babette taps the door with the gun, waits.

85. The doorknob twists. Babette kicks it, knocking it inward and toppling the witch on the other side.

86. The room beyond the door was a small dorm with two beds. Four witches were in the room; three sitting in the middle of the room and one fallen over near the door. The three in the middle were surrounding a boy of fourteen that greatly resembles Babette (olive skinned, brown eyes, thick and curly black hair—short).

87. One witch sitting on the floor was holding a bloody knife. The witch behind the boy was forcing his arm out. There was a cut dribbling blood on his forearm.

88. Babette’s eyes blaze.

Babette

Zinnia, down!

89. Babette shoots the witch behind Zinnia, and the one with the knife. The third on the floor is lunging for a wand on the nightside table.

90. Babette rounds on the third witch.

Zinnia (o.s.)

Babs, watch out!

91. Babette is knocked back by the door smashing into her. She fires into the ceiling in her disruption. The fourth witch is readying a wand while bracing against the door.

92. Babette shoots through the wooden door. First shot skims the fourth witch’s shoulder, eliciting a surprised yelp. Second shot pierces her, dropping her.

93. Babette shoulders the door, shoving the body aside and opening the door wider.

94. Babette shrieks and drops to a knee as a surge of electricity hits her.

95. The last witch holds her wand steady with one hand. Her other hand is bloody and gripping Zinnia’s arm. There is a smear of blood over her mouth. Her eyes are dilated.

96. Babette shakily raises the pistol off the ground, pulling the trigger despite it not lining up with the witch. It clicks empty.

97. Babette tucks the gun away and grabs her cameo with a trembling hand. Her breathing is jagged.

College Witch (o.s.)

[pained shrieks]

98. Zinnia huddles next to Babette, eyes fearful. He holds the knife used to cut him with one hand. He shakes Babette’s shoulder with his other.

Zinnia

Stand! Please, stand up! Let us go!

[beat]

I’ll find Mamma. Where did you part?

99. Babette shakes her head. Zinnia’s lip shakes.

Babette

Mamma isn’t here.

100. Babette’s vision blurred as she took stock of where the witch was. The witch was cradling her bleeding hand while trying to keep a grip on her wand. She was gritting her teeth, glaring at Babette and Zinnia.

101. Babette tries to stand, but falls back to her knee. Her hand releases the cameo broach.

Babette

Run, Zin.

102. Zinnia holds his bleeding arm to Babette’s mouth. Babette turns her head away.

Zinnia

Lick it.

103. Zinnia touches his wound with a finger.

104. Zinnia forcefully stuck his finger in Babette’s mouth.

105. Babette knocks his hand away, spits uselessly.

106. Babette’s pupils dilate. She stops breathing roughly. She is no longer weakened.

107. Babette snatches her cameo as she stands, holding it out and drawing a circle as she does. A bright bolt of light bounces off the invisible shield as it is drawn.

108. Babette launches a counter, fire burning on her skin before she shoots it.

109. Fire rips across the ceiling, walls, and floor. The beds are on fire. The books burn up. The witch stands in the middle, frantically waving her wand at the flames to keep them at bay.

110. Babette swirled her hand above her head, gathering the heat and smoke. Crackles of electricity appeared in the growing cloud.

111. The cloud burst and dispersed as Babette stumbled. Her hands dropping to her sides and her breathing harder.

112. The witch was still fighting the flames, but most were now out. Her stamina was weakened but miles above Babette’s.

113. Babette’s eyes dart to the knife in Zinnia’s hand.

114. Babette grabs the knife and jumps at the witch.

Babette

Shut your eyes, Zinnia!

115. Babette plunges the knife into the witch’s neck where it meets her shoulder.

116. Babette is sprayed with blood as she pulls and rips the knife out.

117. Babette stumbles away, grabs Zinnia, and half falls out of the room.

118. Babette ushers Zinnia towards the stairs, now leaning heavily on him. Zinnia supports Babette around her waist and holds her arm.

Zinnia

You killed—.

119. Babette pushes Zinnia away to throw up.

120. Babette wipes her mouth, smearing the blood that sprayed on her face.

Babette

There was little choice.

[beat]

Let us get you home. I’ll face consequences after.

121. Babette and Zinnia made their way to the first floor, passing the body of the Matriarch down the grand stairs.

122. Babette wretches open the front door.

Arlene (o.s.)

BABETTE! WHERE ARE YOU?

Babette

Arlene…

123. Babette forces Zinnia outside, handing him the knife.

Babette

Wait for me. I’ll just be a minute.

124. Babette shuts the door between her and Zinnia as she hurries back into Halcyon Hall.

125. Babette cups her hand to her mouth.

Babette

ARLENE!

Arlene (o.s.)

BABETTE?

126. Babette hurries towards the direction of Arlene’s yell, seeing broken and burned pictures and decorative end tables. There were few bodies maimed by magic—two—with signs blood or burnt fabrics to indicate injured had retreated.

127. Arlene was on a decorative wooden bench, legs sprawled out and out of breath. Her hood was off and singed. She was dirty, scuffed, damp.

128. Babette crouched in front of her.

Babette

Thank God! Are you injured?

Arlene

I believe just exhausted. Did you find him?

129. Babette nods and pulls Arlene up.

Babette

He’s out front. We should hurry.

130. Babette helps Arlene back towards the front entrance.

Babette

I will never stop repaying you for your help in rescuing Zinnia. I know you crossed lines—.

Arlene

I’d rather not think on that right now.

131. Babette and Arlene shuffle towards the doors.

Babette

Of course. But, I will not forget this once I lead the coven. I promise.

132. Doors bang upstairs freezing Babette and Arlene in place by the door.

133. Babette yanks the door open, shoving Arlene in front of her.

Babette

Hurry!

134. Babette shuts the door behind her but does not move further. She freezes with her hand on Arlene’s shoulder.

135. Babette’s eyes widen.

136. Arlene was shock-still, wide eyes staring at the knife in her chest. Zinnia held the handle. His eyes wider but expression otherwise neutral.

137. Zinnia rips out the knife. Babette falls with Arlene to the ground, trying to hold her upright.

Babette

Arlene! Hold on, I’ll… I’ll…

138. Babette fumbles her cameo.

Babette

Zin, I need…

139. Zinnia is staring down. Remorseless.

Babette (o.s.)

Zinnia…?

140. Babette drops Arlene as she shoves herself away from Zinnia’s knife, hitting up against the doors.

141. Babette snatches up her cameo and stabs it into her hand with gritted teeth. Glowing power surges from the area, flickering.

142. The glow fades as Babette tries to stand.

143. Babette slides back to the stones, breathing heavy.

144. Zinnia stands above her, her vision fading in and out.

145. Blackness. Thud of Babette falling over.

Zinnia (o.s.)

Sorry, Babs.

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DO.Penny.8

Penny woke the following morning in part to her aching stomach and in part to some type of commotion outside. The reason for her stomach was a simple solve; she had stormed upstairs without dinner and never returned downstairs. She spent her night growling her misery and frustration, throwing everything out of her drawers and off her desk.

The commotion stayed a mystery as she lay in bed, blinking the low-grade headache out of her eyes. She dragged herself from bed, stumbled to her window, and pulled down one of the cheap, plastic blinds to peer through.

Her stomach dropped.

She was downstairs minutes later, still wearing her clothes that she’d fallen asleep in the night before. She sprinted across the front yard, only stopping when she collided with the hedge.

The Wilcoxes were standing on their front step speaking to an officer. An ambulance was pulling out of the driveway with lights flashing.

“What happened,” Penny yelled at the adults. “Where’s Brooke?”

“Penny!” Mr. Lambert stormed across the yard. “Inside!”

“Where’s Brooke?”

“Inside, now!”

Penny dug her nails into Mr. Lambert’s hand as he grabbed her arm. She tore off his grip and ran back into the house. She shoved Aaliyah aside on her way to her room, jumping onto her bed, and hitting Brooke’s number in her phone.

There was no answer. The second call also went unanswered. She sent a text, waited, and nothing.

Mrs. Lambert arrived in her doorway, hands on hips. “You’re going to be late for school! Change your clothes. Get downstairs—.”

Penny shoved by her and raced down the stairs. She stared at Emily and Aaliyah–both pausing in their cereal intake–breathing heavily.

“Did you hear anything,” she asked frantically. “Where’s Brooke?”

She ran from the house as they silently stared at her.

The police were gone, and the Wilcox car was leaving the driveway. She ran into the street and forced them to hit the breaks.

“You crazy—,” Mr. Wilcox started angrily. 

“What happened to Brooke,” Penny demanded. She circled to the driver's side since his window was down. “Is she okay?”

“We don't have time for this,” Mrs. Wilcox snapped. “Her case worker can't get there before us, David; just drive.”

She was forced to jump back as the car crept forward, and then picked up speed. She screamed an expletive after them from the middle of the street.

---

School was buzzing like a mass of hornets. No one could focus with Mr. McBride leaving in a police car yesterday and an ambulance leaving the Wilcox house that morning. There were several rumors about them dating, about a lover’s pact, about them staging everything to run off together. Some whispers hissed that Mr. McBride escaped jail and hurt Brooke. Some rumors said she was dead.

Penny was frazzled by lunch. She stared unseeingling at her disappointing tray of beige food, sitting on the very edge of the hard, plastic bench of her usual table (there being nowhere else for her to sit, there was an invisible wall between her and the others since Spring Break ended).

“Penny,” Colton hissed at her. He looked around to make sure the others were not out of line yet. “Hey, Penny, psst! You okay?”

She shook her head, her throat too dry to speak. Her eyes stung.

“She’s probably not dead,” Colton said, trying to sound reassuring. “It’s a misunderstanding.”

“It’s my fault,” Penny croaked.

“...How?”

“I… I told someone about Mr. McBride….” She sniffed. “I d-didn’t think it’d spread around. I d-didn’t think B-Brooke….”

“Penny?” Destiny sat, concern all over her tearstained face. “It-it’s going to be okay. It’s just rum—.”

She ran from the table. The others were starting to sit, all upset and willing to pull her into their grief. They’d hate her worse once they learned she was responsible. This was much more serious than scaring Levi.

She sat in a bathroom stall until long after the bell to return to class sounded. She waited until the sounds in the hall died out before slipping out. The low-grade headache flared after her sobbing session and she could feel the hot, burning anger starting to fill her stomach as it did yesterday. She started to tremble with rage as she headed from the school.

---

The parish office looked like every other stereotypical, sterile cubicle setting. There were glass walls to give it a more open appearance beyond just boxes and half-open doors. There was a large desk built from the wall and floor, the kind found in dentist or doctor offices that was immediate when the door was opened.

The receptionist smiled at her with a slight puzzled expression.

“I want to talk to the priest,” Penny said coolly.

“I think he’s in a meeting right now…” Her eyes darted to the clock. “Shouldn’t you be in school?”

“Where’s the priest,” Penny asked. “It’s urgent.”

“Let me check if he’s finished,” she said, eyeing Penny warily. 

She picked up her phone, forced a smile, and turned away.

The anger was still simmering, now creeping towards her chest. Penny took deep breaths and leaned against the desk. She stared through the clear walls, watching random employees going to and from their cubicles. She perked up as the priest appeared with, she guessed, a deacon.

She went around the desk, ignoring the receptionist ordering her to stop and come back. She snaked through the cubicles until she arrived behind the priest and deacon.

“I trusted you,” Penny snapped.

The priest froze. The deacon froze. A few heads popped out of their cubicles to find the source of the commotion.

“Penny?” The priest patted the deacon on the shoulder, murmuring to him to continue on and wait. “Shouldn’t you be—?”

“I trusted you,” Penny repeated, growling. Hot tears cut down her face. “I told you all that in confession! It was private!”

“Penny, let’s go to my office,” the priest said, firmly but gently. He gestured. “Come on.”

She begrudgingly complied, glaring at any adult that dared to look their way during the short walk to the priest’s office. She dropped into an overstuffed leather chair with her arms crossed tight. She bristled at the calm in which he took his own seat.

“I heard about that English teacher,” the priest said. “I assume that’s what you’re upset over?” He held up his hand as Penny opened her mouth. “Confession is strictly private and confidential unless there is something criminal said. What that man was doing was wrong, and I was obligated to say something.”

“Brooke….” Her lip shook.

“Your friend is upset,” the priest said. “Yes, I can understand that, but you did nothing wrong.” He ducked to catch her gaze. “Penny. You did the right thing. You hold onto that. And, I’m sure, eventually, your friend will see this and things will—.”

“They took her away this morning!” Penny choked on a sob. “Th-the ambulance was there, and t-took her away!” She lowered her head in a completely useless attempt to hide her rapidly falling tears. “Some kids at school said she’s d-dead. No one will t-tell me anything…”

The priest was visibly paler. His mouth was slack, which he tried to cover by clearing his throat. He struggled up from his chair.

“Wait here,” he said. “I will make some calls—.”

“No!” She shot up, the heat rising through her again. “No! I should’ve never said anything to you!”

“Penny—.”

“No!” She backed towards the door. “You’re no different than any of the others. You let me think I should trust you, and that was wrong! Brooke might be dead, and it’s because I thought I could trust you!”

“Penny, please, calm–Penny!”

She flung open the door, shoved aside some adult that had been approaching, and ran from the building.

---

Unable to stomach going back to school, Penny hung out in the woods until the sun started setting. She tried calling Brooke twice more; it now went straight to voicemail. She sent another text that also went unanswered.

She dragged herself back to the Lambert house. The car the Wilcoxes had left in that morning was still missing. Everything was eerily still in the cul-de-sac.

The Lamberts were also eerily quiet during dinner. Aaliyah ate little, mostly moving food around on her plate. Penny, surprisingly, was able to eat all her food and even snuck extra from the fridge when she put her plate in the sink. She didn’t know if it was because she had eaten so little for the last twenty-four hours, or if the anger still smouldering in her stomach required fuel.

She didn’t bother closing her door after changing into her pajamas. She lay still, starting at the streetlight streak across the dark ceiling, listening to Mr. and Mrs. Lambert murmuring downstairs. They were uncharacteristically subdued, making specifics impossible to hear.

“They’re taking a break from fostering,” Aaliyah said quietly from the doorway.

“I don’t care," Penny said.

“You should,” Aaliyah spat. “They’re returning us. Like we’re nothing but an ugly sweater.”

“I don’t care,” Penny repeated more firmly. She sat up. “Go away.”

“You should care,” Aaliyah said icily. “You ain’t going to stay little and cute, Penny. You’re creeping towards teen, and no one wants those around.” She faked a look of dawning. “Oh, right, you aren’t even an adoption candidate. You still think that aunt of yours is coming for you. Aww, or is it your mommy?”

She glowered. “At least mine loves me.”

The smirk was instantly dropped from Aaliyah’s face. The space between them was charged, full of static that nearly crackled audibly in the air.

Aaliyah tossed her beaded braids. She left the doorway, pausing.

“Brooke ain’t dead,” she said. “I heard them saying she’s fine. She’s just locked in the psych ward until the Wilcoxes send her back into the system.”

Penny leapt out of bed. She hurried to Aaliyah and hugged her tight, immediately getting shoved hard to the ground. They glared at each other—Aaliyah disgusted and Penny irritated—before going off to their separate rooms.

She shut the door this time, no longer needing to eavesdrop to know what happened to Brooke. She watched the shadows on her ceiling, heard Emily sneak into Aaliyah’s room, heard their near-nightly murmurings start up.

The two teens cried a few times, specifically about Brooke or about Aaliyah’s impending departure was not clear. Penny didn’t strain to listen. She was busy fighting relieved sobs, trying not to choke on the stream of tears falling into her ears.

--------------------------

Shorter, but too long to include with the previous chapter. It's always way choppy because it worked better with Penny's emotional state verses a few random transition sentences. But, whew, this was a fast turn around on chapters, lol. Don't get used to that.

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August 29, 2026
DO.Penny.7

“And they’re still mad at me,” Penny said with a heavy sigh.

She was resting her head on her arms as they cushioned her from the hard, wooden back of the pew in front of her.

The handful of Spring Break days had passed with everyone giving her the cold shoulder. She had taken refuge in the library or the woods; she partly was hoping to catch a glimpse of the bigfoot again to get a better photo, but had zero luck.

The Lamberts had returned in a refreshed, happy mood that had quickly waned before the week finished. Aaliyah had been uncharacteristically subdued since the end of Spring Break, leaving Penny to get the brunt of the criticism and irritability.

The priest hummed from in front of her. There was no other comment.

“Well… I guess that’s all,” Penny said. “Anything about Aisling?”

“Unfortunately, no,” the priest said. “I admire how patient you’re being with this. It has gone beyond the length I estimated.”

“Yeah, by a month,” Penny said dryly. She sighed again. “I know advice isn’t really part of this, but what should I do about my friends? I’m having a really tough time getting a picture of the bigfoot, and they’re too mad to really focus on the footprint one.”

The priest twiddled his thumbs. There was something more anxious about it than absentminded.

“How are things with your friend Brooke,” he asked. “You didn’t mention her much during your story.”

“I didn’t mention her at all,” Penny said. “She was around sometimes, but didn’t hang out with me or anything like that. She keeps hanging around Aaliyah, and they make fun of me. Call me weird and a baby.” She scoffed. “I know they’re sending nudes. I’m not dumb. Everyone knows Aaliyah does it. And more with who knows.”

“Does she have that same teacher as Brooke?”

“She’s older, so no. I don’t think she was fostered with the Lamberts when she was fifth grade. Why?” She narrowed her green eyes at his noncommittal grunt answer. “Do you think I can get Brooke back to normal?” She slumped in her pew. “I miss having her as a friend. Maybe once she’s not in Mr. McBride’s class, she’ll want to be friends again. She is starting to freak out about the year ending. I could try being… I don’t know, sympathetic or whatever.”

“How is she freaking out,” the priest asked, tripping slightly on the youthful phrase.

“She keeps following Mr. McBride around all weepy and saying things about she needs him. Or something like that.”

“How does he react?”

“Sometimes annoyed. Sometimes friendly.” Penny leaned over the pew. “What’s with all the questions about Brooke? I’m having issues with the other guys now.”

There was a lapse of silence. If the church had been a proper, gothic style cathedral, it would have filled the silence with reverence and small echoes of unseen movement. Penny bounced her leg and opened her mouth to ask, again, if there was anything she could do, but the priest finally spoke.

“Are you familiar with the Cottingley Fairies,” he asked carefully. “I’ve learned about them since you showed me your photos.”

“Is it some kind of fairy study,” Penny asked.

He turned to face her. His weather face was concerned and mixed with something else Penny couldn’t put her finger on. It looked a bit like pity which raised her hackles.

“Penny… you’ve gone through much in so few years,” he said in a quiet, soothing tone. “Perhaps, using fantastical fibs is not the best way to relate to others?” He smiled sadly. “Or is it an elaborate way to create walls?”

“Wait… fibs?” Her eyes widened. “Lies? About what? What’s this have to do with my friends?” Her heart pounded. “Wh-what’s this have to do with that fairy study?” She threw herself back against her pew. “Y-you aren’t supposed to look when I’m doing confession!”

The priest hesitantly turned back to the front. “You’ve a wonderful imagination. God has a purpose for it, I’m sure of that, but God would not want you to use this gift in the manner that you’ve chosen.”

“I don’t—You think I’m lying too?” Her eyes stung, half from anger and half from the overwhelming feeling filling her chest. “You saw the photos!” She recoiled as he started to turn. “You can’t look!”

“Penny,” he said kindly, returning to facing forward, “you have a talent for taking pictures. That much has been made clear. I do not even see anything harmful with your pictures as long as you’re honest about them. You should try that with your friends instead of trying to force them to abandon sense.”

There was another long silence. Penny bit her lip to stop it from shaking.

“If that’s all,” the priest said, his tone now forced lightness, “how about five Hail—.”

Penny launched herself from the pew. She ignored the priest calling after her, ignored the pedestrian she ran into as she exited the church. Her eyes were blurry with hot tears that no amount of wiping stemmed.

---

The rain outside distracted her from whatever it was the teacher was droning on about. She watched the raindrops slip down the window. Her mouth twitched at the will o’ the wisp bounding just inside the treeline.

“Penrose!” She straightened and faced forward. “Come do this problem, please.”

There were four different long division problems on the board. There was no way to know which the teacher had referred to. She hovered over the farthest left, eyeing the teacher for signs she was in the right spot.

“Look,” one of the boys yelled.

“Jeramiah, that’s—.”

“Mr. McBride is getting into a police car!”

Desks were shoved aside in the mad scramble as all the kids ran to the windows.

Mr. McBride was not being thrown in the back of a police car, but he was standing next to one talking to the two officers. He looked annoyed and panicky, keeping his arms tightly crossed and shifting his weight as he stood. After another minute–with the math teacher not even bothering to try to corral them–Mr. McBride climbed into the back of the police car, uncuffed, and freely.

“Okay, okay, back to math.” The teacher clapped to gain their attention. “In your seats.”

It was impossible for anybody then to focus on math after that, and the following classes were not much better, diverting into the teachers constantly shushing them and threatening demerits or other punishments as they buzzed to one another. Penny listened rather than participate in the wild rumors beginning to form. There was a sinking feeling in her stomach that deepened, especially whenever one rumor teased the English teacher had been caught dating a student, though names were not mentioned.

“I know our priest was asking parents about him,” a boy whispered in social studies. “He pulled my mom aside last Sunday to ask if I had him for English.”

“Mr. Walker,” Penny said, raising her hand, “I feel like I'm going to puke. Can I get the bathroom pass?”

After being told she was being gross, she was dismissed to the nurse’s office.

“I keep telling them the healthy lunches are poison,” the nurse said, irate. “Better off back with sloppy joes and hotdogs. Go lie down until it passes.”

Penny stared at the water stained ceiling. The office was fairly quiet with small sounds of the nurse’s pen scratching against paper and the random footsteps echoing from the hall.

She replayed over and over everything she had confessed to that priest. She told him all she had seen, heard, and her worries regarding Brooke and Mr. McBride. He pressed her for more information, and she’d been too stupid to think he was doing anything more than being an attentive listener.

She hadn't told him explicitly about the Realm, only showed him the pictures she had taken, and that was some relief.

Quick footsteps arrived on the other side of Penny’s curtain. “Kim! Did you hear about Tony?”

“Ssh! I have a patient,” the nurse hissed.

Penny rolled over in time with the newcomer’s steps as she joined the nurse at her desk. She watched their silhouettes on the curtain as they hunched together.

“Do you think he did it?”

“Probably,” the nurse said nonchalantly. “He zeros in on some wallflower girl every year. It always came across as fishing to me.”

“What about being nice because they're such sad-sacks?”

“No way. He gets too cold with them towards the end of the year. And then just stops talking to them completely once the new crop comes along. If he really cared, he'd check in on them. It's not like they switch schools or anything. It's easy enough to just ask how classes are going passing each other in the hall.”

“You think some foolish girl took the bait then?”

“Why not? He was bound to get at least one. He was so persistent. My bet is on that dreary looking girl that's been skipping after him all year. You know, the foster girl.”

“Poor thing never stood a chance.”

The two women started as Penny ripped back the curtain. She glowered at them as their embarrassment began to flush their faces. She said nothing and didn't wait around for them to apologize or defend themselves; she stormed from the office and quickly found herself outside the school.

It was too early to go back to the Lamberts, so she wandered off to the woods. She climbed up a tree and soaked in the sounds of the forest. Quiet tears slipped down her cheeks. 

It wasn’t exactly sadness she felt; it was more of a hopelessness than that. She had heard adults mutter about their rock bottom expectations of her and the other foster kids. There was a smouldering anger in her gut too as she replayed the conversation between the nurse and the other teacher. No one had even tried to stop Mr. McBride, and the way they spoke made it sound like Brooke was at fault.

Large, lumbering steps shook her tree. The bigfoot rooted below in the nearby bushes. She reached for her phone, stopped, and heaved a sigh as she sat straighter and watched.

“Of course you show up now,” she murmured to it. 

It raised its head, pausing, and then went back to searching. She waited until it moved on before descending.

The street lights were starting to flick on as she approached the Lambert house. It was later than when she usually arrived back, and she braced for the tirade that would come once she opened the door.

“It was you, wasn’t it?”

Penny froze as her heart missed a beat at the quiet address. It took a second to recognize it was Brooke’s voice, and another to find her in the darkening landscape. She was hovering by the hedge that separated their yards, her face obscured by her bangs and the growing dusk. The quaver in her voice was either tears or anger, and Penny could not decide which it was.

“What was—?”

“Don’t play dumb! You were jealous of Tony,” Brooke accused. “You’ve been weird about him forever, and you went blabbing, and now he’s in trouble!”

“Jealous?” Penny scoffed. “I was worried. He was a creep.”

“He was not!” Brooke choked on a sob. “H-he cared about me! He was the o-only one who did!”

“That’s not—.”

“Yes it is!” Brooke whimpered. “You ruined everything!”

She turned and ran for the Wilcox house before Penny could protest.

Penny teetered on the front step. The Wilcox couple did not like her coming around. It wouldn’t be a good idea to knock and ask for Brooke when they–and the Lamberts–were sitting down for dinner.

She walked in and immediately was assaulted with hysterics over how late she was, and dinner being on the table, and being ungrateful. The tantrum continued as she stood rooted to the stop, the exact words getting farther and farther as they turned to static.

“Penny,” Mrs. Lambert snapped. Her hands were on her hips, her eyes narrowed in intense dislike. “Are you listening to me? Answer me!”

Hot, burning rage rose from the pit in her stomach and up into her chest. She bristled as she soaked in the middle-aged woman’s glare. She grabbed the small, decorative table in the entryway full of family photos and threw it at Mrs. Lambert’s feet.

Mr. Lambert, Aaliyah, and Emily raced from the dining room to see what the commotion was; the two teenagers peeking around the corner with baited breath as the adults stared at the overturned table and the small girl. Mrs. Lambert looked shaken. Mr. Lambert was turning crimson but his mouth was unable to form words.

Penny huffed, fists balled up and shaking at her sides, her hackles still raised and teeth bared. She screamed–they flinched–and tore upstairs.

----------------------------------

Ah, the Cottingley Fairies. I remember learning about them as a pre-teen. It was a photographic hoax done by two cousins in England. They took 5 pictures of the younger cousin with "fairies" which were illistrated cutouts. I think the hoax was 1917-1922, but it wasn't until the 1980s (I think) that it was confirmed as a hoax. Since Penny tells the priest about the creatures in 2012, there isn't AI or even good editing on your phone, so this whole time his brain was breaking going "how?". And, since the teen phones in 2012 couldn't do videos, the pictures are stagnent making it easier to believe that Penny staged them.

There should be one more with Penny here. I was going to do a long chapter to wrap up this section, but I think it'd be too clunky.

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August 24, 2026
Sketchbook Musings: Ace Gallagher - Everything else!

I think this may be the last set! Locals only let me do so many at a time or it would give me an error, so here's all the random leftovers :)

A Tier half-transformed as a dracleon back in 2005.

Coronation, 2009

Prince Swift hs crowned and marked by blue fire!

I have made at least 2 attempts at drawing the Alan Parsons Project song "Snake Eyes"... this is one from 2011...

...And this one from 2013. I like aspects of both; maybe the layout of this one but mixed with the realism of the other? I need to study my cobra anatomy if I'm going to try again, hah.

Twila Sketch, unknown

Twila was a little shapeshifting dragon Ace picks up in the jousting book, but I've since replaced her with an owl :D Still a cool feathery dragon design!

And here's just an Ace with epic scarf. I just really like scarves. This was dated 2014!

Train in the Distance, 2014?

I'm not sure when I drew this, but it was when I first linked James to some backstory. Windmachine Guitar Duo has a song called "Train in the Distance" with lyrics that beautifully describe overcoming domestic violence, and since James was a newbie, he got it added to him. It also made me wonder how his speech impediment affected all that too. And who'd have known then Ace would get added to this family and go through it in his own way...

Ava Harley, 2016

Thanks to Tomodachi Life, I figured out James was going to have a daughter :D

And that's all that was in my file! Thanks for joining me on this exciting trip!

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