Firebrand Risk
Breeching Halcyon Hall
May 31, 2024
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Bennett School for Girls, Halcyon Hall

Panel 1. Halcyon Hall, Millbrook, New York, nighttime. The windows glow with light. The shrubbery able to be seen is tidy. The building exudes stateliness and warmth.

Panel 2. Babette de Benedetto—late teens—is kneeling, pressed up against the stone wall of Halcyon Hall. Her curly, black hair is knotted in a bun. She wears trousers and a long-sleeved blouse, but a short, black cape covers most of her torso.

Panel 3. Babette holds a Colt pistol, pointing it down at the ground.

Panel 4. Arlene crouches next to Babette. She wears the same short, black cape as Babette, but is wearing the hood. Arlene has a strained, worried expression.

Arlene

The rest of campus is dark. It must only be the coven awake.

Panel 5. Arlene’s blue eyes widen in fright.

Arlene

Is that your father’s pistol?

Panel 6. Babette pulls on her hood.

Babette

Stay at my back.

Panel 7. Arlene grabs the end of Babette’s cape to stop her from fully standing.

Arlene

You mustn’t!

Babette

There is no other choice.

Arlene

But, Babette…

Babette

They should well know the consequences!

Panel 8. Babette stands, hand on the doorhandle ready to enter.

Babette (v.o.)

I gladly would leave this to others—

Panel 9. Babette charges through the door, gun drawn. Arlene follows with one hand out and the other clutching the gem hanging around her neck.

Babette (v.o. continue)

—but then I wouldn’t make a good leader.

Panel 10. A college-aged girl in black appears. Her outstretched hand has a chunky ring with a jewel on it. Her hand is glowing as if made of embers.

Panel 11. Babette squares herself and pulls the trigger.

Panel 12. The witch falls back, dead.

Panel 13. Arlene appears petrified. Babette is standing resolute, but her hand shakes.

Babette

They’ll be aware of us now. Stay guarded.

Panel 14. Arlene keeps her terrified expression.

Arlene

You killed…. This is too much. We cannot fight the whole Halcyon Coven just us two!

Panel 15. Babette grabs her wrist to steady her gun hand.

Babette

They mean to wipe us out. We had little choice.

Panel 16. They raced through the dimly lit, stately hall with Babette in the lead. Her gun stayed down while Arlene kept her pose with one hand up and one clutching her necklace. There are sounds of several people moving erratically upstairs, some shouts to alert others.

Panel 17. Babette shoots a witch on the stairs as she heads up. Arlene is facing the ground floor, blasting another witch off her feet with a slice of wind.

Panel 18. Babette glanced over her shoulder.

Babette

Don’t leave any alive!

Arlene

I cannot! That’s too far!

Panel 19. A fireball blasts apart a door at the top of the stairs, sending Babette stumbling down a few steps. The coven Matriarch—aged in her sixties with her hair and clothes stereotypical of a school marm—is framed by the destroyed doorway with her hand like embers.

Panel 20. Babette’s hood is off due to the blast. She glares at the Matriarch.

Panel 21. The Matriarch glares back.

Matriarch

It’s the de Benedetto Coven! Raid! It’s a raid!

Panel 22. Babette rushed towards the Matriarch.

Panel 23. Babette shoots once, twice, but the Matriarch deflects both with a mostly invisible shield.

Panel 24. Babette dives down, shooting low.

Panel 25. The Matriarch yelps, faltering, as the bullet rips the hem of her long dress, blasting the wooden floor.

Panel 26. Babette rolls towards the Matriarch, firing another shot. The Matriarch has already rushed from the path, swinging her hand down at the floor.

Panel 27. The floor splinters in a jagged line towards Babette.

Panel 28. Babette rips off her capelet, grips an Italian cameo pinned to her shirt, and throws her hand towards the floor. The line abruptly stops like slamming into an invisible wall.

Panel 29. The Matriarch’s face twists.

Matriarch

Secure the witchboy! Stop that little witch!

Panel 30. The Matriarch sneers.

Matriarch

Leave me to handle Babette.

Panel 31. Babette tucks the pistol away, glancing down towards Arlene.

Babette

Run, Arlene! Find him!

Panel 32. Babette holds out a hand like a shield, the other gripping the cameo. Arlene races off, still on the ground floor and trailed by two witches.

Panel 33. The Matriarch adjusts the clunky, gemmed bracelet on her wrist.

Babette (v.o.)

She is too practiced to tip her hand. She means to bait me to attack first.

Panel 34. Babette’s hand clutching the cameo glows.

Babette (v.o. continue)

So be it.

Panel 35. Babette clasps her hands together, pulling and swirling them apart to gather particles in the air.

Panel 36. The air between Babette’s hands turns smoky and sickly hued.

Panel 37. The Matriarch’s eyes widen fearfully; she steps back and starts to rapidly, repeatedly, draw a circle over her head.

38. Babette pulls her hands apart and disperses the smoky, sickly air towards the Matriarch. A gentle drizzle started over the Matriarch’s head, but she was now coughing.

39. Babette pulls her broach off her shirt and draws a line down her arm with the pin. A line of hot, glowing light follows the path.

Babette

Return my brother, and this ends.

40. The Matriarch snarls. Lightning is sparking on her fingertips. She is not coughing anymore, now sopping wet from the drizzle dispersing over her head.

41. The glowing light spreads across Babette’s arms, looking like lava and embers. The sparks on the Matriarch’s fingers look weak and dull in comparison. A hint of frustration over this is on her old face.

42. The Matriarch struck first this time, sending a jagged bolt of electricity directly towards Babette’s face.

43. Babette blocked with her arm, the magma light brightening as she absorbed the brunt of the magic. Babette clenched her teeth and winced as the residue electricity raced over her, static’ng her curls.

44. Babette counters with throwing a handful of glowing, hot rocks at the Matriarch with one hand, following with a blast of heat from her other.

45. The Matriarch waved her hand, deflecting the hot air. A burst of steam hisses as the rocks hit a wavering water shield.

46. The Matriarch shrieks as the rocks pepper her, knocking her to a knee.

47. Babette steps closer, burning brightly, and with more glowing rocks dancing in her hand. She is staring down at the Matriarch.

Babette

You should have returned my brother.

48. The Matriarch grits her teeth, flicking her hands.

49. The Matriarch stares at her hands in shock.

50. The Matriarch stares up at Babette with more fear than defiance as Babette’s shadow crosses over her.

51. Babette’s expression is grim as her flames light her face, the Matriarch’s cries and shrieks deafening.

52. Babette dashes off, pinning her broach back to her shirt. Over her shoulder is the charred remains of the Matriarch, still kneeling in place. The blackened floor is crumbling beneath her.

53. Babette is drained, sweat on her brow and hands shaking. She rests against a wall and hold her hand out.

54. Babette’s hand flickers a glow, dies, and leaves her with a pained expression.

Babette (v.o.)

I over exerted.

55. Babette checks the gun’s magazine.

Babette (v.o. continue)

I’ll need to reload next encounter.

56. Babette runs off.

Babette (v.o. continue)

I hope Arlene is safe.

57. Babette skids to a halt and ducks behind the corner she nearly clears.

58. Three witches loiter outside a wooden door, murmuring inaudibly. They appear bored and sleepy.

59. Babette’s face lights with excitement and relief.

Babette (v.o. continue)

There you are!

60. Babette steels herself, exhaling and holding the pistol ready.

61. Babette whips around the corner and fires.

62. The middle witch yelps as the bullet rips into her shoulder. The two others stare at her in puzzlement, defenses half-raised.

63. Babette drops the empty magazine, shoving a fresh one in place. She is still moving forward, zigzagging.

64. Babette fires again and hits the left witch squarely through the neck. The right witch is fully on defense. The middle witch is still crying and holding her shoulder.

65. Babette winces as the right witch lashes out, slicing her upper arm with a bright, mint green energy. Babette fires and hits the right witch just as the slice hits her arm.

66. The middle witch disappears inside the door they had been guarding.

67. Babette bursts through the door after her.

68. The room was a bathroom with three stalls and three sinks.

69. Babette looks at the tiled floor.

70. Blood droplets.

71. Babette keeps her pistol up near her shoulders, creeping along the blood trail.

72. Babette stops outside the last stall, at the end of the blood trail. Muffled, sobbing, wheezing is coming from inside.

73. Babette kicks open the door.

Babette

Where is the witchboy?

74. Babette pulls the trigger before the witch waves her hand or opens her mouth.

75. Babette storms into the hall, gun poised.

76. Babette runs up a floor.

77. The floor is empty, darkened, and full of closed doors. There is eerie creaking sounding throughout the hall.

78. Babette remove her broach, squeezing it hard enough for the pin to puncture her hand.

79. Blood droplet hits the wooden floor.

Babette (o.s.)

Truvari. Frati.

[Find. Brother.]

80. Babette falls against the wall, breathing hard. The blood droplet on the floor glows, and a thin line of light stretches from it.

81. Babette grits her teeth and staggers down the hall.

82. Babette turns a corner. Indistinct murmuring reaches her ears.

83. Babette squares against the door, taking a deep breath.

84. Babette taps the door with the gun, waits.

85. The doorknob twists. Babette kicks it, knocking it inward and toppling the witch on the other side.

86. The room beyond the door was a small dorm with two beds. Four witches were in the room; three sitting in the middle of the room and one fallen over near the door. The three in the middle were surrounding a boy of fourteen that greatly resembles Babette (olive skinned, brown eyes, thick and curly black hair—short).

87. One witch sitting on the floor was holding a bloody knife. The witch behind the boy was forcing his arm out. There was a cut dribbling blood on his forearm.

88. Babette’s eyes blaze.

Babette

Zinnia, down!

89. Babette shoots the witch behind Zinnia, and the one with the knife. The third on the floor is lunging for a wand on the nightside table.

90. Babette rounds on the third witch.

Zinnia (o.s.)

Babs, watch out!

91. Babette is knocked back by the door smashing into her. She fires into the ceiling in her disruption. The fourth witch is readying a wand while bracing against the door.

92. Babette shoots through the wooden door. First shot skims the fourth witch’s shoulder, eliciting a surprised yelp. Second shot pierces her, dropping her.

93. Babette shoulders the door, shoving the body aside and opening the door wider.

94. Babette shrieks and drops to a knee as a surge of electricity hits her.

95. The last witch holds her wand steady with one hand. Her other hand is bloody and gripping Zinnia’s arm. There is a smear of blood over her mouth. Her eyes are dilated.

96. Babette shakily raises the pistol off the ground, pulling the trigger despite it not lining up with the witch. It clicks empty.

97. Babette tucks the gun away and grabs her cameo with a trembling hand. Her breathing is jagged.

College Witch (o.s.)

[pained shrieks]

98. Zinnia huddles next to Babette, eyes fearful. He holds the knife used to cut him with one hand. He shakes Babette’s shoulder with his other.

Zinnia

Stand! Please, stand up! Let us go!

[beat]

I’ll find Mamma. Where did you part?

99. Babette shakes her head. Zinnia’s lip shakes.

Babette

Mamma isn’t here.

100. Babette’s vision blurred as she took stock of where the witch was. The witch was cradling her bleeding hand while trying to keep a grip on her wand. She was gritting her teeth, glaring at Babette and Zinnia.

101. Babette tries to stand, but falls back to her knee. Her hand releases the cameo broach.

Babette

Run, Zin.

102. Zinnia holds his bleeding arm to Babette’s mouth. Babette turns her head away.

Zinnia

Lick it.

103. Zinnia touches his wound with a finger.

104. Zinnia forcefully stuck his finger in Babette’s mouth.

105. Babette knocks his hand away, spits uselessly.

106. Babette’s pupils dilate. She stops breathing roughly. She is no longer weakened.

107. Babette snatches her cameo as she stands, holding it out and drawing a circle as she does. A bright bolt of light bounces off the invisible shield as it is drawn.

108. Babette launches a counter, fire burning on her skin before she shoots it.

109. Fire rips across the ceiling, walls, and floor. The beds are on fire. The books burn up. The witch stands in the middle, frantically waving her wand at the flames to keep them at bay.

110. Babette swirled her hand above her head, gathering the heat and smoke. Crackles of electricity appeared in the growing cloud.

111. The cloud burst and dispersed as Babette stumbled. Her hands dropping to her sides and her breathing harder.

112. The witch was still fighting the flames, but most were now out. Her stamina was weakened but miles above Babette’s.

113. Babette’s eyes dart to the knife in Zinnia’s hand.

114. Babette grabs the knife and jumps at the witch.

Babette

Shut your eyes, Zinnia!

115. Babette plunges the knife into the witch’s neck where it meets her shoulder.

116. Babette is sprayed with blood as she pulls and rips the knife out.

117. Babette stumbles away, grabs Zinnia, and half falls out of the room.

118. Babette ushers Zinnia towards the stairs, now leaning heavily on him. Zinnia supports Babette around her waist and holds her arm.

Zinnia

You killed—.

119. Babette pushes Zinnia away to throw up.

120. Babette wipes her mouth, smearing the blood that sprayed on her face.

Babette

There was little choice.

[beat]

Let us get you home. I’ll face consequences after.

121. Babette and Zinnia made their way to the first floor, passing the body of the Matriarch down the grand stairs.

122. Babette wretches open the front door.

Arlene (o.s.)

BABETTE! WHERE ARE YOU?

Babette

Arlene…

123. Babette forces Zinnia outside, handing him the knife.

Babette

Wait for me. I’ll just be a minute.

124. Babette shuts the door between her and Zinnia as she hurries back into Halcyon Hall.

125. Babette cups her hand to her mouth.

Babette

ARLENE!

Arlene (o.s.)

BABETTE?

126. Babette hurries towards the direction of Arlene’s yell, seeing broken and burned pictures and decorative end tables. There were few bodies maimed by magic—two—with signs blood or burnt fabrics to indicate injured had retreated.

127. Arlene was on a decorative wooden bench, legs sprawled out and out of breath. Her hood was off and singed. She was dirty, scuffed, damp.

128. Babette crouched in front of her.

Babette

Thank God! Are you injured?

Arlene

I believe just exhausted. Did you find him?

129. Babette nods and pulls Arlene up.

Babette

He’s out front. We should hurry.

130. Babette helps Arlene back towards the front entrance.

Babette

I will never stop repaying you for your help in rescuing Zinnia. I know you crossed lines—.

Arlene

I’d rather not think on that right now.

131. Babette and Arlene shuffle towards the doors.

Babette

Of course. But, I will not forget this once I lead the coven. I promise.

132. Doors bang upstairs freezing Babette and Arlene in place by the door.

133. Babette yanks the door open, shoving Arlene in front of her.

Babette

Hurry!

134. Babette shuts the door behind her but does not move further. She freezes with her hand on Arlene’s shoulder.

135. Babette’s eyes widen.

136. Arlene was shock-still, wide eyes staring at the knife in her chest. Zinnia held the handle. His eyes wider but expression otherwise neutral.

137. Zinnia rips out the knife. Babette falls with Arlene to the ground, trying to hold her upright.

Babette

Arlene! Hold on, I’ll… I’ll…

138. Babette fumbles her cameo.

Babette

Zin, I need…

139. Zinnia is staring down. Remorseless.

Babette (o.s.)

Zinnia…?

140. Babette drops Arlene as she shoves herself away from Zinnia’s knife, hitting up against the doors.

141. Babette snatches up her cameo and stabs it into her hand with gritted teeth. Glowing power surges from the area, flickering.

142. The glow fades as Babette tries to stand.

143. Babette slides back to the stones, breathing heavy.

144. Zinnia stands above her, her vision fading in and out.

145. Blackness. Thud of Babette falling over.

Zinnia (o.s.)

Sorry, Babs.

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Now alone in Ben’s front room, Ace and Athena–and the bare beginnings of their friendship–found themselves sitting in a very awkward silence. Whatever casual conversation may have begun at any other point in time was stifled with the weight of their newfound knowledge. Ace’s mind was swimming with all he had learned about his father, his curse, and the seemingly impossible feat of breaking it. Athena, on the other hand, knew Ace had to be struggling a great deal, but worried she didn’t know him well enough to try to talk him through it.

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Athena found a smirk, noticing the haughtier tone his voice took and the casual way he stretched his arms over his head. “As a matter of fact, I had just left the inn I’d been staying at this morning; I was hoping to settle into a new apartment, but it wasn’t available after all.” She gestured to the bag and thin rapier near the door. “I have all of my belongings with me, and I will graciously accept Ben’s hospitality so I don’t have to look for somewhere to stay at this time of night.”

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Athena laughed as she followed him into the kitchen. “I take it you used to live here? At least, that’s what I gathered from some of Ben’s comments.”

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She opened the package to find a cooked chicken breast and nodded, but her frown remained unchanged. “Why did you run away?”

It was his turn to frown as he returned to face the refrigerator. “My adopted dad was abusive, and I got tired of it.”

She took a step back. “Oh, Ace; I’m sorry.”

He shrugged and managed to find a bottle that didn’t contain some sort of unknown liquid. “Sweet–apple cider! Want some?”

“No, thank you,” she took another step back, still holding the chicken. “I’ll just get some water for Allan.”

As Athena turned to the cabinets over the sink to find a cup to hold water, Ace had taken another paper package of chicken and the bottle of cider and sat down at the table. As he ate, he watched Athena carry the chicken and water outside, and then caught a glimpse of the raven landing on her arm through the half-covered window.

Alone with his thoughts, his mind wandered wistfully to his previous family: a mother who had just lost her own baby stepped into the adoption clinic moments after Ben had walked in with a starving newborn in tow. It seemed like pure luck that she was able to immediately accept the “unnamed Gallagher baby,” name him Michael Harley, and bring him home to be the younger brother to her four-year-old son.

“James,” he spoke the name aloud as memories of his childhood flooded his thoughts. A smile warmed his lips, at least until the memories touched upon the father of the family.

His adopted father had originally been accepting of this new addition; but, as time went on, the man began drinking more and caring less. The son of the “Siren of Fortanya” was born out of back luck, after all; and he brought that misfortune upon their family. Ben, who came to visit every once in a while, was now a threat and was banned from his home. And the worse things got for the Harley family, the more physical his attacks became–and the more they spread to other members.

The front door opened, releasing Ace from another downward spiral. He blinked himself back into the room, finding Athena returning with a good portion of the chicken package in hand.

“Not hungry?” He asked, eyeing the chicken.

“He ate some,” she returned to the table. “We can save the rest of this for Ben.” She glanced at the table and at the empty bottle of cider and the cleaned chicken bones in front of Ace. “Or perhaps you,” her grin widened.

Ace grunted nervously and looked down. “I hadn’t eaten dinner.”

“I won’t judge,” she set down the remaining chicken on the table beside him.

He smiled, half embarrassedly, and decided a free meal was a free meal.

Silence again seeped into all of the space of the sitting room. Ace was acutely aware of how loud he was when he ate chicken, but he hoped Athena was far enough away not to notice. She had relocated to her pack of belongings and was hanging up her sword belt and small round shield on a rack beside the door. She had also removed her shoes and set them on a small mat below.

When he noticed her standing up and slinging her bag on her shoulder, Ace got up and loudly crinkled both paper packages, and he was sure to make an exaggerated grimace from the sound as Athena approached him. He shook his head as she laughed, but, at once, he felt even more self-conscious when he found the young woman was now lingering beside him with her hands gently clasped around her bag strap.

He casually laid a hand against the refrigerator beside him. “Um–did you need anything else?”

She had just begun to shake her head when the movement slowed. “How,” she paused. “How did you come to be called Ace?”

He huffed the start of a chuckle through his nose. “I meant from the fridge, but…” he leaned his back against it, crossing his arms with a smirk. “When I ran away, I wanted to distance myself from my adopted name; so, I took an old nickname and started calling myself Ace Gallagher.”

“And Gallagher is your mother’s surname,” she recognized.

Ace shrugged. “I was always called ‘Gallagher’s son’ anyway. So, why not embrace it?”

“It suits you.” She finally met his eyes, the hint of a smile playing on her lips.

He, too, felt his lips tug into a smile–and the heat of his face flushing red under her gaze.

With a more pronounced smile and a straightened posture, Athena bobbed her head in a short bow. “I’d better get to bed. I’ll see you in the morning.”

“Yeah,” he pushed himself from the fridge, though he wavered in his boots before he got any closer to her. “Um–hope you sleep well!”

“You too,” she slipped past him. “Goodnight, Ace.”

He bolted to the edge of the kitchen, though, once again, found himself hesitating before he could catch another glimpse of her ascending the stairs. When the sound of the door closing reached his ears, he exhaled the breath he didn’t know he was holding.

“Goodnight, Athena,” he mused, chewing on a smile.

He took a few steps backward before turning to face the couch. He glanced back at it, realizing this would be his bed for the night. He wasn’t sure if it was an upgrade from his hammock, but it looked well-worn and comfortable enough. A blanket was already folded over the backrest, though part of it was inadvertently tucked into the seat cushions.

He gave the blanket a light tug to free it. Two silver pieces popped out from between the cushions.

The silver glinted in his eyes. A thought entered his mind; a thought that–up until that point–had not even surfaced that evening.

He crouched down and began to search the cushions for any more loose change, and he was surprised to find one more coin that had slipped underneath.

He looked at the three coins in his hand. He could bring these to any gambling hall and place a bet. He had given away all he had to Dorian; these coins could be his ticket to earning a few more for their trip. Bengal wouldn’t miss them, considering they had been lost between couch cushions up until that point.

He bit his lip as he stood up. The smallest twinge of regret settled in his stomach.

It subsided almost as quickly, and, with quiet determination, he crept out of the house and into the darkness outside.

 

---

While Mioko and Dorian are visiting Mioko's aunt for lavender oil, Ace and Athena have a semi-awkward but friendly moment alone at Ben's house. He's gone to bed, and the two of them, who had only just met earlier that day, now have to figure out what to do.

One of the fun things that happens with Ace and Athena is how she immediatley begins to influnce him to be a better person. With her, he does not think about going gambling until after she leaves the room. He also doesn't for a second think about how he can con her into taking her money like he has with every other girl he's met to this point. She shows him kindness and brings it out of him as well. That doesn't mean Ace instantly becomes perfect (in fact he struggles again with gambling in book 4) but he now has something to strive for and influence him - and that's also with the others, too. Dorian may be the only other to really start knocking some sense into him, lol.

It's just cute to see how these two start out... 💙

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Old Sketchbook Musings, Part 3

A few more! 

The Outlier Awakens, 9/2020

Outlier Ace is so cool. I wish I could figure out a way to give him this power in the Tale of Ace Gallagher, but part of what makes him who he is is how he does all that he does without any magical assistance. He learns how to work hard and train and put his heart into what he does, and I feel like giving him the ability to control all water would be a bit much. I do think he'll end up with his mom's  totem and the mist spell at some point, but I can only think of one place where he'll use it for plot purposes ;)

Unlikely Allies, 1/2021

Aside from introducing Westfall and reuniting The Doctor and Gemini, my favorite part of the last Gemini Archive was Ace and Elliot teaming up with The Doctor. It was just fun watching how they'd interact with each other.

Showoff, 9/2020

I think I originally gave Outlier Ace his water horse for a scene that never happened in the final Gemini Archive when he teams up with The Doctor. Like they have to run somewhere and Ace is a complete showoff and makes a horse out of water and rides off and Elliot just rolls his eyes and gets on a real horse and The Doctor is like "wait what??" I just like the little look of HAHA on his face.

Into Wildfire, 1/2021

I did not remember this started off as a pencil drawing! But this is one of the ones that actually translated pretty well into digital. I was able to make the fire all fiery anyway. But it's fun to see how it started!

Wedding Day, 11/2020

Awww. Lookit them how cute. I vaguely remember trying to figure out what their wedding outfits will be; ironically I'm not sure their wedding will end up "on screen" after all this because I think I've added a time skip from the end of the jousting tournament story where they get engaged before jumping ~5 years into their marriage. But it's still good for drawing purposes!

Wedding Day Outfits, 11/2020

More figuring of the outfits without them covering each other up, lol. I've actually tried to keep their outfits more medieval since they've always been a weird blend of modern and not. But the story is a bit of a blend on its own.

Give and Take, 12/2020

And this was RIGHT AFTER the drawings of them getting married and that made it hurt even more... the things the plot makes me do I swear 😭

But I definitely didn't realize I've had the "Athena doesn't make it to the end" storyline brewing since 2020... But, this is it, down to the scene, so I guess I've been trying to figure out if it was part of the plot or not since then. But OOF.

Whittacre, 11/2017

My majestic deer!! Look how gorgeous he is. His proportions may be a little wonky but he looks soft. He always ends up been linked to winter in a lot of my drawings.

Winterbourne, 12/2020

Case in point, lol. More Whitacre winter. The antlers seem... backwards? I'm not sure. But this looks like a prime "turn it digital" territory right here...

Qul'tuq sketch, 2023

The first sketch of Klingon Gemini was in my little sketchbook! I do remember this since I photographed it to draw for the rest of the story, but yeah! No idea what her outfit is doing.

You are a Child of Mine, 10/2023

The last drawing in my book... little Hudson in the creek getting baptised :D There's an epic song by Mark Schultz that fits Hudson's struggles and his quest to be who God wants him to be, and I sketched it out I think on a plane. It will need a "real drawing" one of these days.

Next up; I have MUCH OLDER drawings on random papers in a big folder under my bed... once I scan them I'll have to share the fun ones again!

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Old Sketchbook Musings, Part 2

It's time for a few more! 😁

Inktober 2018, Day 10: The Three Witches

I'm not sure why but I love this one so much. I think I did a specific medieval set for the 2018 Inktober, because they were all "knight of shadows," "the river maiden," "the dragon queen" and all, and I actually tried to create new characters vs borrowing mine. But of course Ace was pulled in for The Thief and a few others made an appearance. But these ladies heading off for some witchy things is adorable and I love them.

Inktober 2018, Day 11: The Wizard King

I like his design and facial structure. He reminds me of Merlin a bit :D

Inktober 2018, Day 19: The Old Dragon

I mean, what can be better than an elderly dragon feeding pigeons at a park 😂 Adorable.

Inktober 2018, Day 31: The Fighting Friar

Nobody steals the from the church with this guy around. The expressions of all 3 make me laugh.

Farro Rescues Rain, 2019

It's the dinos! I've kinda just let them fade away, but at least I wrote the whole story, lol. At some point I would like to tighten it up and publish it, but we'll see how Ace goes first.

I really like how Farro (once freed from the stone that makes him a bit of a ...ahem, ladies man) actually becomes a very strong ally for Rain, protecting her out and holding a great respect for her (and vice versa). I toyed with the concept of them actually falling in love in a part 2... buuuuuut I've been very good at not trying to go there until I get some other things done first 😁 

Aurora Revealed, 11/2021

This was most likely drawn after I had the dream that turned into how Ace meets his mother Aurora. I love the columns and the lighting and the curious fearfulness as Aurora reveals herself stayed pretty consistent to when I wrote the scene afterwards. 

I Though You Could Use Some More Light, 7/20

Ah, Ace Gallagher at his finest (and then very quickly at his worst thanks to being tricked into drinking a delirium potion 😅). "The Ambassador" is still one of my favorite snippets!

On the Wall, 8/2020

Part of the same story, I forgot I drew when Ace hops on the wall near the end to escape the palace. It's just another... Ace on the wall... ha. haha.

Unnamed Okapitaur, 2020

I have no memory of this lady okapi-centaur, but it's a fun concept! I really like creating centaurs but never actually writing anything for them. But, again, it's good that I'm not since I have enough writing without them lol.

I think I've got enough for one more set!

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