Firebrand Risk
Breeching Halcyon Hall
May 31, 2024
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Bennett School for Girls, Halcyon Hall

Panel 1. Halcyon Hall, Millbrook, New York, nighttime. The windows glow with light. The shrubbery able to be seen is tidy. The building exudes stateliness and warmth.

Panel 2. Babette de Benedetto—late teens—is kneeling, pressed up against the stone wall of Halcyon Hall. Her curly, black hair is knotted in a bun. She wears trousers and a long-sleeved blouse, but a short, black cape covers most of her torso.

Panel 3. Babette holds a Colt pistol, pointing it down at the ground.

Panel 4. Arlene crouches next to Babette. She wears the same short, black cape as Babette, but is wearing the hood. Arlene has a strained, worried expression.

Arlene

The rest of campus is dark. It must only be the coven awake.

Panel 5. Arlene’s blue eyes widen in fright.

Arlene

Is that your father’s pistol?

Panel 6. Babette pulls on her hood.

Babette

Stay at my back.

Panel 7. Arlene grabs the end of Babette’s cape to stop her from fully standing.

Arlene

You mustn’t!

Babette

There is no other choice.

Arlene

But, Babette…

Babette

They should well know the consequences!

Panel 8. Babette stands, hand on the doorhandle ready to enter.

Babette (v.o.)

I gladly would leave this to others—

Panel 9. Babette charges through the door, gun drawn. Arlene follows with one hand out and the other clutching the gem hanging around her neck.

Babette (v.o. continue)

—but then I wouldn’t make a good leader.

Panel 10. A college-aged girl in black appears. Her outstretched hand has a chunky ring with a jewel on it. Her hand is glowing as if made of embers.

Panel 11. Babette squares herself and pulls the trigger.

Panel 12. The witch falls back, dead.

Panel 13. Arlene appears petrified. Babette is standing resolute, but her hand shakes.

Babette

They’ll be aware of us now. Stay guarded.

Panel 14. Arlene keeps her terrified expression.

Arlene

You killed…. This is too much. We cannot fight the whole Halcyon Coven just us two!

Panel 15. Babette grabs her wrist to steady her gun hand.

Babette

They mean to wipe us out. We had little choice.

Panel 16. They raced through the dimly lit, stately hall with Babette in the lead. Her gun stayed down while Arlene kept her pose with one hand up and one clutching her necklace. There are sounds of several people moving erratically upstairs, some shouts to alert others.

Panel 17. Babette shoots a witch on the stairs as she heads up. Arlene is facing the ground floor, blasting another witch off her feet with a slice of wind.

Panel 18. Babette glanced over her shoulder.

Babette

Don’t leave any alive!

Arlene

I cannot! That’s too far!

Panel 19. A fireball blasts apart a door at the top of the stairs, sending Babette stumbling down a few steps. The coven Matriarch—aged in her sixties with her hair and clothes stereotypical of a school marm—is framed by the destroyed doorway with her hand like embers.

Panel 20. Babette’s hood is off due to the blast. She glares at the Matriarch.

Panel 21. The Matriarch glares back.

Matriarch

It’s the de Benedetto Coven! Raid! It’s a raid!

Panel 22. Babette rushed towards the Matriarch.

Panel 23. Babette shoots once, twice, but the Matriarch deflects both with a mostly invisible shield.

Panel 24. Babette dives down, shooting low.

Panel 25. The Matriarch yelps, faltering, as the bullet rips the hem of her long dress, blasting the wooden floor.

Panel 26. Babette rolls towards the Matriarch, firing another shot. The Matriarch has already rushed from the path, swinging her hand down at the floor.

Panel 27. The floor splinters in a jagged line towards Babette.

Panel 28. Babette rips off her capelet, grips an Italian cameo pinned to her shirt, and throws her hand towards the floor. The line abruptly stops like slamming into an invisible wall.

Panel 29. The Matriarch’s face twists.

Matriarch

Secure the witchboy! Stop that little witch!

Panel 30. The Matriarch sneers.

Matriarch

Leave me to handle Babette.

Panel 31. Babette tucks the pistol away, glancing down towards Arlene.

Babette

Run, Arlene! Find him!

Panel 32. Babette holds out a hand like a shield, the other gripping the cameo. Arlene races off, still on the ground floor and trailed by two witches.

Panel 33. The Matriarch adjusts the clunky, gemmed bracelet on her wrist.

Babette (v.o.)

She is too practiced to tip her hand. She means to bait me to attack first.

Panel 34. Babette’s hand clutching the cameo glows.

Babette (v.o. continue)

So be it.

Panel 35. Babette clasps her hands together, pulling and swirling them apart to gather particles in the air.

Panel 36. The air between Babette’s hands turns smoky and sickly hued.

Panel 37. The Matriarch’s eyes widen fearfully; she steps back and starts to rapidly, repeatedly, draw a circle over her head.

38. Babette pulls her hands apart and disperses the smoky, sickly air towards the Matriarch. A gentle drizzle started over the Matriarch’s head, but she was now coughing.

39. Babette pulls her broach off her shirt and draws a line down her arm with the pin. A line of hot, glowing light follows the path.

Babette

Return my brother, and this ends.

40. The Matriarch snarls. Lightning is sparking on her fingertips. She is not coughing anymore, now sopping wet from the drizzle dispersing over her head.

41. The glowing light spreads across Babette’s arms, looking like lava and embers. The sparks on the Matriarch’s fingers look weak and dull in comparison. A hint of frustration over this is on her old face.

42. The Matriarch struck first this time, sending a jagged bolt of electricity directly towards Babette’s face.

43. Babette blocked with her arm, the magma light brightening as she absorbed the brunt of the magic. Babette clenched her teeth and winced as the residue electricity raced over her, static’ng her curls.

44. Babette counters with throwing a handful of glowing, hot rocks at the Matriarch with one hand, following with a blast of heat from her other.

45. The Matriarch waved her hand, deflecting the hot air. A burst of steam hisses as the rocks hit a wavering water shield.

46. The Matriarch shrieks as the rocks pepper her, knocking her to a knee.

47. Babette steps closer, burning brightly, and with more glowing rocks dancing in her hand. She is staring down at the Matriarch.

Babette

You should have returned my brother.

48. The Matriarch grits her teeth, flicking her hands.

49. The Matriarch stares at her hands in shock.

50. The Matriarch stares up at Babette with more fear than defiance as Babette’s shadow crosses over her.

51. Babette’s expression is grim as her flames light her face, the Matriarch’s cries and shrieks deafening.

52. Babette dashes off, pinning her broach back to her shirt. Over her shoulder is the charred remains of the Matriarch, still kneeling in place. The blackened floor is crumbling beneath her.

53. Babette is drained, sweat on her brow and hands shaking. She rests against a wall and hold her hand out.

54. Babette’s hand flickers a glow, dies, and leaves her with a pained expression.

Babette (v.o.)

I over exerted.

55. Babette checks the gun’s magazine.

Babette (v.o. continue)

I’ll need to reload next encounter.

56. Babette runs off.

Babette (v.o. continue)

I hope Arlene is safe.

57. Babette skids to a halt and ducks behind the corner she nearly clears.

58. Three witches loiter outside a wooden door, murmuring inaudibly. They appear bored and sleepy.

59. Babette’s face lights with excitement and relief.

Babette (v.o. continue)

There you are!

60. Babette steels herself, exhaling and holding the pistol ready.

61. Babette whips around the corner and fires.

62. The middle witch yelps as the bullet rips into her shoulder. The two others stare at her in puzzlement, defenses half-raised.

63. Babette drops the empty magazine, shoving a fresh one in place. She is still moving forward, zigzagging.

64. Babette fires again and hits the left witch squarely through the neck. The right witch is fully on defense. The middle witch is still crying and holding her shoulder.

65. Babette winces as the right witch lashes out, slicing her upper arm with a bright, mint green energy. Babette fires and hits the right witch just as the slice hits her arm.

66. The middle witch disappears inside the door they had been guarding.

67. Babette bursts through the door after her.

68. The room was a bathroom with three stalls and three sinks.

69. Babette looks at the tiled floor.

70. Blood droplets.

71. Babette keeps her pistol up near her shoulders, creeping along the blood trail.

72. Babette stops outside the last stall, at the end of the blood trail. Muffled, sobbing, wheezing is coming from inside.

73. Babette kicks open the door.

Babette

Where is the witchboy?

74. Babette pulls the trigger before the witch waves her hand or opens her mouth.

75. Babette storms into the hall, gun poised.

76. Babette runs up a floor.

77. The floor is empty, darkened, and full of closed doors. There is eerie creaking sounding throughout the hall.

78. Babette remove her broach, squeezing it hard enough for the pin to puncture her hand.

79. Blood droplet hits the wooden floor.

Babette (o.s.)

Truvari. Frati.

[Find. Brother.]

80. Babette falls against the wall, breathing hard. The blood droplet on the floor glows, and a thin line of light stretches from it.

81. Babette grits her teeth and staggers down the hall.

82. Babette turns a corner. Indistinct murmuring reaches her ears.

83. Babette squares against the door, taking a deep breath.

84. Babette taps the door with the gun, waits.

85. The doorknob twists. Babette kicks it, knocking it inward and toppling the witch on the other side.

86. The room beyond the door was a small dorm with two beds. Four witches were in the room; three sitting in the middle of the room and one fallen over near the door. The three in the middle were surrounding a boy of fourteen that greatly resembles Babette (olive skinned, brown eyes, thick and curly black hair—short).

87. One witch sitting on the floor was holding a bloody knife. The witch behind the boy was forcing his arm out. There was a cut dribbling blood on his forearm.

88. Babette’s eyes blaze.

Babette

Zinnia, down!

89. Babette shoots the witch behind Zinnia, and the one with the knife. The third on the floor is lunging for a wand on the nightside table.

90. Babette rounds on the third witch.

Zinnia (o.s.)

Babs, watch out!

91. Babette is knocked back by the door smashing into her. She fires into the ceiling in her disruption. The fourth witch is readying a wand while bracing against the door.

92. Babette shoots through the wooden door. First shot skims the fourth witch’s shoulder, eliciting a surprised yelp. Second shot pierces her, dropping her.

93. Babette shoulders the door, shoving the body aside and opening the door wider.

94. Babette shrieks and drops to a knee as a surge of electricity hits her.

95. The last witch holds her wand steady with one hand. Her other hand is bloody and gripping Zinnia’s arm. There is a smear of blood over her mouth. Her eyes are dilated.

96. Babette shakily raises the pistol off the ground, pulling the trigger despite it not lining up with the witch. It clicks empty.

97. Babette tucks the gun away and grabs her cameo with a trembling hand. Her breathing is jagged.

College Witch (o.s.)

[pained shrieks]

98. Zinnia huddles next to Babette, eyes fearful. He holds the knife used to cut him with one hand. He shakes Babette’s shoulder with his other.

Zinnia

Stand! Please, stand up! Let us go!

[beat]

I’ll find Mamma. Where did you part?

99. Babette shakes her head. Zinnia’s lip shakes.

Babette

Mamma isn’t here.

100. Babette’s vision blurred as she took stock of where the witch was. The witch was cradling her bleeding hand while trying to keep a grip on her wand. She was gritting her teeth, glaring at Babette and Zinnia.

101. Babette tries to stand, but falls back to her knee. Her hand releases the cameo broach.

Babette

Run, Zin.

102. Zinnia holds his bleeding arm to Babette’s mouth. Babette turns her head away.

Zinnia

Lick it.

103. Zinnia touches his wound with a finger.

104. Zinnia forcefully stuck his finger in Babette’s mouth.

105. Babette knocks his hand away, spits uselessly.

106. Babette’s pupils dilate. She stops breathing roughly. She is no longer weakened.

107. Babette snatches her cameo as she stands, holding it out and drawing a circle as she does. A bright bolt of light bounces off the invisible shield as it is drawn.

108. Babette launches a counter, fire burning on her skin before she shoots it.

109. Fire rips across the ceiling, walls, and floor. The beds are on fire. The books burn up. The witch stands in the middle, frantically waving her wand at the flames to keep them at bay.

110. Babette swirled her hand above her head, gathering the heat and smoke. Crackles of electricity appeared in the growing cloud.

111. The cloud burst and dispersed as Babette stumbled. Her hands dropping to her sides and her breathing harder.

112. The witch was still fighting the flames, but most were now out. Her stamina was weakened but miles above Babette’s.

113. Babette’s eyes dart to the knife in Zinnia’s hand.

114. Babette grabs the knife and jumps at the witch.

Babette

Shut your eyes, Zinnia!

115. Babette plunges the knife into the witch’s neck where it meets her shoulder.

116. Babette is sprayed with blood as she pulls and rips the knife out.

117. Babette stumbles away, grabs Zinnia, and half falls out of the room.

118. Babette ushers Zinnia towards the stairs, now leaning heavily on him. Zinnia supports Babette around her waist and holds her arm.

Zinnia

You killed—.

119. Babette pushes Zinnia away to throw up.

120. Babette wipes her mouth, smearing the blood that sprayed on her face.

Babette

There was little choice.

[beat]

Let us get you home. I’ll face consequences after.

121. Babette and Zinnia made their way to the first floor, passing the body of the Matriarch down the grand stairs.

122. Babette wretches open the front door.

Arlene (o.s.)

BABETTE! WHERE ARE YOU?

Babette

Arlene…

123. Babette forces Zinnia outside, handing him the knife.

Babette

Wait for me. I’ll just be a minute.

124. Babette shuts the door between her and Zinnia as she hurries back into Halcyon Hall.

125. Babette cups her hand to her mouth.

Babette

ARLENE!

Arlene (o.s.)

BABETTE?

126. Babette hurries towards the direction of Arlene’s yell, seeing broken and burned pictures and decorative end tables. There were few bodies maimed by magic—two—with signs blood or burnt fabrics to indicate injured had retreated.

127. Arlene was on a decorative wooden bench, legs sprawled out and out of breath. Her hood was off and singed. She was dirty, scuffed, damp.

128. Babette crouched in front of her.

Babette

Thank God! Are you injured?

Arlene

I believe just exhausted. Did you find him?

129. Babette nods and pulls Arlene up.

Babette

He’s out front. We should hurry.

130. Babette helps Arlene back towards the front entrance.

Babette

I will never stop repaying you for your help in rescuing Zinnia. I know you crossed lines—.

Arlene

I’d rather not think on that right now.

131. Babette and Arlene shuffle towards the doors.

Babette

Of course. But, I will not forget this once I lead the coven. I promise.

132. Doors bang upstairs freezing Babette and Arlene in place by the door.

133. Babette yanks the door open, shoving Arlene in front of her.

Babette

Hurry!

134. Babette shuts the door behind her but does not move further. She freezes with her hand on Arlene’s shoulder.

135. Babette’s eyes widen.

136. Arlene was shock-still, wide eyes staring at the knife in her chest. Zinnia held the handle. His eyes wider but expression otherwise neutral.

137. Zinnia rips out the knife. Babette falls with Arlene to the ground, trying to hold her upright.

Babette

Arlene! Hold on, I’ll… I’ll…

138. Babette fumbles her cameo.

Babette

Zin, I need…

139. Zinnia is staring down. Remorseless.

Babette (o.s.)

Zinnia…?

140. Babette drops Arlene as she shoves herself away from Zinnia’s knife, hitting up against the doors.

141. Babette snatches up her cameo and stabs it into her hand with gritted teeth. Glowing power surges from the area, flickering.

142. The glow fades as Babette tries to stand.

143. Babette slides back to the stones, breathing heavy.

144. Zinnia stands above her, her vision fading in and out.

145. Blackness. Thud of Babette falling over.

Zinnia (o.s.)

Sorry, Babs.

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DO.Penny.3

Dear Ashling,

Penny stared at the heading, knowing something wasn't right but not sure what. She always tripped up on the heading.

You haven’t written back yet.

It was redundant. Aisling would know she hadn’t written; she would know months have passed since they saw each other. She had written so many unanswered letters at this point that she didn’t know what to put into one. Her complaints about her foster family and foster siblings were exhausted. It no longer felt safe to write about it, and definitely didn’t feel safe to mention the gnomes in the neighbor’s garden or the giant bird she saw during the last storm with lightning on its wings.

The paper was snatched from before her, jerking her from her wandering thoughts. She leapt up and spun around the chair, grabbing fruitlessly at the page as a taller girl with beaded cornrows waved it overhead.

“Give it back, Aaliyah!”

“Ooo, Ashling! Who's that? Aw, she never writes back? Aww.”

“Give it back!”

Aaliyah crumpled the paper and threw it over Penny’s head. Penny dived for it.

“She doesn't write because she doesn't care, stupid. They're paid to pretend. All case workers are.”

Penny smoothed the paper the best she could, mostly to avoid Aaliyah's hard gaze. “She’s my aunt….”

There was a pause before Aaliyah cackled nastily. She put on a show, doubling over and wiping tears from her eyes.

“That’s worse! She's family and ignoring you!” She huffed for breath. “She doesn't want you, Penny. Stop trying. It's sad.”

Aisling couldn't take her without giving up her vows. She wasn’t sure how it would even work if she did give up her vows. Aisling had no money due to the vow of poverty. Her skills were limited to religious service, outside of magic which she hid. There was no telling what her support was like now that her mother had died. Friends had come to fetch her, but as far as Penny was aware, Aisling and Keena were still strained.

Keena gave her up for a reason, and even now had not tried to reconcile with her.

Penny wandered outside to avoid Aaliyah and change scenery. The trees were still green, but the breeze was decidedly chilly to signal fall coming. She crawled into a gap in the hedge that sat on the property line, flopping on her stomach to watch the neighbor’s garden.

“What are you doing?”

She shimmied out of the bushes, popping up before she was clear. The twigs ripped at her hair and left leaves strewn about. She blinked at the girl standing on the other side of the hedge.

This girl was skinny with lank bangs. She wore a baggy short sleeved shirt over a long sleeved one, and held her elbow as she shifted her weight from foot to foot. They seemed to be about the same age.

“I was hiding from Aaliyah,” Penny said, climbing fully to her feet and plucking leaves from her dark brown hair. “She’s my foster sister.”

“I know her. …She’s mean.” She nodded over her shoulder. “I’m a foster too. With them.”

“Really? Huh. That’s kind of weird the neighbors have a foster kid too.”

“This whole cul-de-sac has them. I think they all went into it together for extra support or something. Or….” She stared down at her toes. “I’m Brooke, by the way.”

“Penny.”

“I know,” Brooke said, kicking at the ground. “I’ve been watching you. Not in a creepy way! I… I wanted to make sure you weren’t like Aaliyah before talking to you.”

She studied this shy, semi-awkward girl in front of her. Her clothes were clearly worn hand-me-downs just like hers. She had this forlorn air to her than had Penny giving her a sympathetic smile. She had benefited from having Aisling in her corner, having shelter at St. Brigid’s. Brooke was probably bounced around far more than she was.

“Want to start eating lunch together at school,” Penny asked. “People avoid me. Maybe because I’m still too new. Or because Aaliyah.”

“Sure,” Brooke said. A smile fought onto her gaunt face. “Want to… hang out now?”

---

Gaining a friend her age helped Penny not ruminate over Aisling’s lack of communication. Having one person turned into having a small group; the kids that were seen as weird or outsiders, but all were just creative in some way.

Penny shuffled through the slush with Brooke at her side. They mentioned annoying things that teachers did at school that day. They shared no classes so the teacher stories were always something new while also being the same.

They were almost to their houses when Aaliyah knocked hard into Penny. She skidded and fell into the slush. Brooke shrunk away, offering no help. Penny went to snap at her, but she already stormed off into the house.

“She looked upset,” Brooke said meekly.

“Probably picked on someone she shouldn’t’ve,” Penny growled. She shook slush from her backpack. “I better go change before the Lamberts see. Catch you tomorrow.”

She managed to get upstairs without being spotted. She was just pulling on a pair of large, worn sweats when her door opened with no warning. She yanked her pants up as she stood, heart pounding, facing a middle-aged woman with long, fake nails and an elaborate perm.

“Why are you changing,” she asked, narrowing her eyes.

“Aali—I fell,” Penny said. “Slipped.”

“And now I have extra laundry to do.” Mrs. Lambert glowered. “Dinner in forty. Be downstairs to set the table in thirty.”

She flinched as the door slammed shut. She took a few breaths before sinking back onto her bed. She pulled out a sheet of paper and pen from her damp back pack.

Dear Aisling,

I learned how to spell your name. My friend Brooke told me. I told you about Brooke in my last letter, just in case you forgot.

She stared at the page. Her eyes stung.

You still haven't written back, so I don’t know if you even know I made a friend. I have a couple. It helps a little. My foster family is

She wiped her eyes with the heel of her palm. She crumpled the paper and left the room.

Dinner was one of the casseroles from a box that Mrs. Lambert resorted to every other night. The biological family—Mr. And Mrs. Lambert and their fifteen-year-old daughter, Emily—all rattled away at each other while Penny and Aaliyah sat in silence, picking at their food.

“Oh, Aaliyah, remind me to lend you that new sweater for the Christmas potluck,” Emily said. “It’ll be cute over that dress.”

“How thoughtful,” Mrs. Lambert said through gritted teeth.

“Is the Catholic church nearby,” Penny asked. She looked away from the others as they met her with various glares and confused looks. “I was thinking… maybe I’d go for Christmas Eve….”

“I’m not a taxi,” Mrs. Lambert said. “You go to our church when under our roof.”

Penny wanted to burst out about how they didn’t like their church; they constantly complained and gossiped about others in the congregation. They made a show of dragging all of them to service on Sunday, elbowing them to sing loudly. They made loud comments of their contributions and charity whenever someone from the congregation was within earshot. That was all it was: show.

She nodded subservantly, eyes fixed on her plate.

“We do the potluck at our church,” Emily said. “It’s our tradition.” She turned to Aaliyah. “It’s crazy to think this is your second one. The fifteenth marks a whole year since you came.”

Aaliyah’s jaw tightened. She gave a small nod and forced food into her mouth to avoid answering Emily’s perplexed stare.

“Oh, before I forget again; that Ms. Beaucourt called my office,” Mr. Lambert said, shooting Penny an accusatory glare.

“Of course she did,” Mrs. Lambert said, rolling her eyes. “She’s been pestering me to get this one–” pointing her fork at Penny “–a phone. I told her I’d look into it, and I’ve been dodging her calls since.”

“I thought they were supposed to have a phone,” Emily said. “Aaliyah has a phone. An iPhone, right?”

“Yep,” Aaliyah mumbled sulkily.

“Aaliyah had hers when she arrived,” Mrs. Lambert said. “And, she’s older than Penny. I just think smaller children with phones is ridiculous.”

“Isn’t it so they can call their case worker whenever they want,” Emily asked.

“The house phone works for that,” Mrs. Lambert said. “Those smartphones are rife with unsavory types trying to take advantage.” She stabbed her food. “Don’t you think it’s enough I worry about you with one?” She quickly added as Emily opened her mouth, “And Aaliyah? No. You girls are older. You have better understanding. And I still worry.”

“Don’t fluster your mother,” Mr. Lambert said. “I’ll talk to Ms. Beaucourt tomorrow. Tell her the fears more firmly.” He scoffed. “Besides, how are we supposed to afford that?”

“They are expensive…,” Emily trailed off.

The stipend the Lamberts received each month would have more than covered it. Penny was already wearing Goodwill clothes, or Emily’s hand-me-downs she was handed from the source herself before Mrs. Lambert could donate them away. All her school supplies had come from Dollar Tree, and Mrs. Lambert spent hardly anything on snacks. Penny wasn’t sure the exact amount a foster parent received each month, but with Aaliyah receiving the same treatment, she suspected there was a great deal of money left each month. She also suspected the new TV was paid for by that stipend.

She readied for bed after dinner, and found herself at her desk with the unfinished letter. She recrumpled it and dropped it in the wire wastebasket. She flopped onto her bed and stared up at the darkening ceiling.

Murmurs from Aaliyah’s room indicated Emily and she were talking. They spoke a bit almost every night, usually peppered with giggles, but this had an extra hushness to it. She heard something about pictures and a boy sharing them, but not enough to put the pieces together.

She wondered if Aisling had any pictures of her family, specifically of her mother. She never thought to ask before, and now with nearly six months of silence it seemed impossible she would get the chance to ask her.

She jumped out of bed, ripped a page from her spiral notebook, and sat at her desk.

Dear Aisling,

I want to see family pictures. I know that’s allowed, so you wouldn’t have thrown them out. I don’t think you would throw them out even if you really, really hated my mom. Does writing any of this matter? You haven’t written back. The Lamberts are mean. You and Mother Mary Clare said I had a home there. Doesn’t seem like it.

Penny, your niece

P.S. The garden next door has a gnome. I forgot what they eat so I just watch it sometimes.

Penny squinted at the letter in the weak light. She dropped it back on the desk and climbed back into bed. It felt like she only just shut her eyes when the daily hammering on her door jerked her upright.

“Breakfast,” Mrs. Lambert yelled through the door.

She was sure to dress before going down or else invoke an extra dose of wrath for not being prepared. Aaliyah was in a better mood, which meant she took more cereal than she could eat to deprive Penny of a full bowl.

School was wired with it being a Friday and a week before the winter holidays. No one had any amount of concentration, and the teachers were a mixed bag of aggravated and apathetic at the fractured attention. Penny stared at the clocks most lessons, with only diverting to staring out the widows in the few classes she sat next to one. Her green eyes tracked a small, blue-white ball of light bobbing near the woods bordering the school grounds.

She waited outside the school for Brooke. The throngs of kids thinned; Aaliyah stalked by with a toss of her beaded braids as a jeer of “ooh la la” followed from a group of boys. Penny leaned to stare down the long, main corridor to check for her friend.

Brooke was hovering by her locker near the end of the hall. She was chatting animatedly, smiling up at a young man she’d previously pointed out as her English teacher. Penny tightened her grips on her backpack straps as she watched his hand clap Brooke’s shoulder, run down her arm, and back up before he departed. She straightened and pretended not to have seen anything, smiling as Brooke joined her outside.

“Sorry,” Brooke said. “Mr. McBride wanted to talk about my poem.”

“Good news,” Penny asked.

“An A with a revision,” Brooke said proudly.

Penny hummed, her eyes now watching the treeline as they passed. There was no sign of the will o’ the wisp. She felt a twinge of disappointment.

“Something up?”

“Not really… Just thinking.” She turned her gaze to her worn, slush-dampened shoes. “This is totally random, but… do you believe in magic?”

“Of course not,” Brooke said with a slightly disgusted snort. She looked at Penny from under her limp bangs. “Wait, do you?” Penny shrugged. “Isn’t that kind of babyish?”

“I guess,” Penny murmured. “Maybe I want to believe…? Like, maybe it’d just be more interesting if will o’ the wisps, or gnomes, or unicorns lived in the woods too. You know?”

“The monsters would have to exist too, and a big no thanks to that,” Brooke said.

“Well, a dragon would be a lot cooler than bad foster parents,” Penny joked. Brooke’s mouth twitched but a smile failed to form. “Nevermind. I was just daydreaming while I was waiting.” She bounced towards her house, stopping and spinning back to Brooke. “One more week and then no school! Catch you tomorrow, Brooke!”

She rushed off with her fake enthusiasm, but didn’t fail to catch that Brooke hung around outside looking forlorn and lank. Penny watched her shuffle off through the wavy glass of the front door.

“You!” Penny jumped as Mrs. Lambert stormed towards her with a crumpled paper in her hand. “Mean! I’m mean! You ungrateful brat! Upstairs. No dinner. Now!”

She dodged around the furious woman, racing up the stairs. She stopped outside her door, spinning to address the stare she felt.

Aaliyah stood in her own doorway, shaking her head and looking at Penny as if she was a particularly stupid creature. Penny narrowed her eyes and slammed her door shut.

-------------------------------

For the other kids' names, I go check what was popular in that area or for that demographic in approximate birth year range. I'm not sure I have much else to add, lol. I've been really tired so my brain isn't functioning right. This one took longer than the others because I was trying to figure out the pacing. Penny's with the Lamberts for a bit, so I was torn on everything in this one and it's just really long, or split in into two or three chapters. Right now, it's the two or three.

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More Sketchbook Musings: Echoes of Aravast

In this edition of fun things from the physical archives - Echoes of Aravast and related sketches!

"Forgotten" Gemini Initial Sketch, unknown

This was early on when I got the idea of a "survivor Gemini" that may actually escape the Gemini Archives. She already has her sonic blade, her dog tag (back when that was an idea) and a surprisingly similar outfit (The two-toned hair was me trying on a wig over my existing hair and thinking it looked awesome lol).

 

Protection, 2013/4?

Ian was a new character in the Gemini Archives, and he quickly decided he was coming over to the new story with Gemini. I liked the initial story/plot I had going for Echoes of Aravast, but I was struggling to write it. All it took was changing Gemini's power and throwing her into one more Gemini Archive to spark the Westfall thread...

Ian ended up staying pretty similar to his current Aravasti variant - he was a Lux who could create light shields - only in Echoes of Aravast, he was born on Barea with Aravasti genetics and discovered his power by accident - like Ace would later. Actually, The Outlier takes the basic plot of Echoes, so I still got to have it to some extent :)

 

The Panic in Me, 2014

I have a digital drawing on this one, but since it's from a storyline that didn't make it, I removed it from my website 🤷 These 2 were going to have a very slow burn relationship that only showed where it ended up in a flash forward at the very end. At least their devotion to each other still made the final cut ;) The title/mood is from a song from The Road to El Dorado by Elton John. Great song.

 

Ian Sticky Note Art, 2015?

I found a couple of these colorful sticky note drawings! Not bad for pen on a 3"x3" sticky note!

 

Sparrow Sticky Note Art, 2015?

Sparrow and Gabriel were actually going to be in Echoe of Aravast... but alas, they just get to stay my token dancers :)

 

Cinder Sketch, 2015

So... yeah.

One of the ideas for Echoes was Ian accidentally getting sent in to Barea's past where he's in this weird feudal variant where humans and creatures work codependently (Narnia? lol). Ian ends up paired with Cinder the pied crow and they both serve a knight as his armor bearer and squire. Gemini eventually figures out how to get to where she sent him, and he's years older and embittered, but also stronger because of his experience. Cinder was kind of a comic relief, wise-cracking bird... but he was the first to be cut along with the rest of the rest of the talking animals.

 

The Outlier Awakens, 2020

A neat drawing of Ace when his Aravasti powers awaken underwater. The body proportions are kinda wonky, but those hands 👌 This would be a nice one to redo one day!

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Sapphyre: A Tale - Part 5
Unfinished Comic Concept

As Christopher breaks above the surface and takes in a breath of air, Sapphyre peeks out of the water with him. 

Chris: These gills are still here, even now. Perhaps they won’t go away?

Phyre: I don’t know. I’ve never used this power before; I’ve heard it was used long ago to rescue humans from drowning, but when humans began to look for and exploit merkind… we are not supposed to.

Chris: Well, that’s all right. That just means I can live in the kelp forest with you forever! Nothing to worry about–no cares… only you…

He looks at her when she doesn’t reply, and he notices her gazing almost longingly into the sky as a seagull flies overhead.

 

Song: "Flight"

At once, Sapphyre finds herself reaching upward, kicking her tail to rise and fall, almost dancing through the water. She leaps above, breaching like a while. All the while Christopher watches in awe.

When at last Sapphyre's dance concludes, he smiles wide. 

Chris: Wow... If I didn't know any better, I'd say you feel the most at home up here.

Phyre: ...So what if I do.

Chris: So… why do you? I have a feeling you're the only mermaid who does... that no others understand your connection.

Phyre: (eyes flash up) Connection?

Chris: (confused) ...What? 

Sapphyre darts under water.

Chris: (struggles to follow) Wait–what did I say??


This is the song that linked itself to Sapphyre and probably started this whole thing. It was at a ballet I was recording at my last job and I was floored watching little dancers swirl around to this gorgeous music, and being in my Sapphyre phase, the rest was history. And yes… I will continue the weird shallow dialog haha.

 

Song: "Love Dance"

Phyre: (remains turned away) I... I was not always a mermaid.

Chris: What do you mean?

Phyre: (looks over her shoulder) I was a human once. But I was captured. I was made to become who I am now. I woke up in a strange facility with no memory of who I was before–only that I was created... and that I was their prisoner.

Chris: Oh, Phyre–how? Why? Who would do such a thing?

Phyre: I don't know...

Chris: Then... how did you come to be here?

Phyre: (gazes to the surface) One of the men in the facility... he was kind to me. He helped me escape one night. I don't know what became of him, but I owe him my life... this life. Lady Aria found me hiding at the edge of the kelp forest. She took me in, brought me to the Enclave, and I learned how to become a mermaid. I tried to fit in... I tried to make friends and find a home...

Chris: But you were made to be on the surface, so it calls to you.

He draws close to her, turning her body to face his. 

Chris: And, perhaps, I was made to be here with you.

Phyre: ...Underwater?

Chris: Wherever you are...

They kiss, gently, then grow passionate. Sapphyre's tail curls around his legs, swirling them in the water between the tall strands of kelp and the surface of the water.

Phyre: I want to be wherever you are. Wherever you go–whatever you do...

Chris: Phyre... Sapphyre... I will go nowhere without you. 

Their foreheads touch. 

Chris: ...I love you.

Phyre's eyes open wide, only to drop closed as she holds him tighter.

Phyre: I love you too. 

 

Song: "Battlefield"

Voice: There!!

In Christopher's arms, Phyre gazes across the top of the kelp forest to find Lady Aria and a host of merkind approaching. They are dressed in crude armor and have weapons and shields, ready for battle.

Looking the opposite way, Christopher sees the Shark King and his army taking their place behind him. They also carry weapons and are covered in armor.

They at once pull apart to glance between the two groups, who approach until their lines are mere feet from each other–with Sapphyre and Christopher in between.

King: So! It IS true! You have been planning war!

Aria: And it is true that you have taken one of our own!

King: I have taken no one–YOU have sent your spy!

Keiki: And you have joined forces with the humans to attack us!

Aria: We have sent no spies! We have no allegiance with humans!

King: Then, who is this??

Chris: (boldly) I am Christopher–I am not a spy, and neither is Sapphyre! She saved me from drowning, and we have taken protection among the Kelp-Dwellers so that I may learn her ways!

Aria: Sapphyre–is this true? We thought you had been taken!

Phyre: It is true–I am sorry, Lady Aria. I did not realize I had caused so much concern…

Aria: You are one of us, my dear Phyre!

Kalli: Please–please come back home!

Sapphyre: (moved to tears) And… and Christopher?

Aria: He is welcome, too, if he wishes to remain here.

Sapphyre and Christopher look at each other and smile gratefully.

King: (incredulously) All of this has been… a misunderstanding??

Iolana: (nervously to Otieno) What are we to do now?? The King will have us beheaded!!

Otieno: (panicking, yells above the crowd) I–I don’t believe them! Why would they show up in full armor? Why would they be ready to fight??

Others chime in similarly.

Phyre: (Turning to the sharks) Please, we mean no harm to you or your kind!

Keiki: Lies!!

King: Keiki!!

But it is too late. In his youthful haste, Keiki throws a spear at Sapphyre. When she dodges, the spear instead strikes a merman in the army behind her.

Aria & King: No!!

Other merkind rush forward in retaliation as other sharks do the same. The chaos of battle at once erupts in the waters between the surface and the kelp forest.

During the battle, Christopher wields a spear and tries to fight, but without fins, he’s slow in the water and not much use. Iolana targets him, disarms him, and reels back to stab him with her own spear–only for Sapphyre to rush in his place. She is stabbed (the part where the song drops to just choir for a moment–chills, I tell you), but then struggles to continue fighting, wounding Iolana and driving her away.

As Sapphyre loses strength from her bleeding side, Christopher begins to lose his gills and struggles to get to the surface. They reach each other moments before the battle envelopes them. It rages on until shouts break the chaos.

King: No!!

Aria: Stop!!

At once, the two lines draw back to find Keiki has fallen. Filled with sorrow, the Shark King collects his son in his arms and cries with grief. Aria calls out for Sapphyre, but none can find her. When all realize what has happened and see what has been done–fallen bodies floating lifelessly as the wounded cower in the kelp among the kelp-dwellers–all slowly back away.

Sapphyre and Christopher are nowhere to be seen.

 

Song: “Aftermath”

As a mournful song fills the scene, Shael, his arm bandaged, and Kalli slowly drift near the kelp forest. A few merpeople are huddled on the outskirts, mending wounds and mourning losses.

Shael’s eyes find something on the ground. With horrified sorrow, he finds Sapphyre and Christopher lifeless at the sea floor. Christopher’s gills are gone, and Sapphyre’s body is torn, but they lie together, holding each other in their final moments.

Shael bows sorrowfully as Kalli joins his side and mourns, but when he looks up, he almost believes he sees Sapphyre and Christopher smiling at him from the edge of the kelp-forest. When he blinks again, he sees them no more.

Slowly, they turn and swim away.

 

………It’s a SAD ENDING. But the music is SAD! I didn’t know what to do with it! I think that contributed to why I stopped writing this one (also it’s really not a very complex plot or story or dialog or anythingggg…)

Ironically, I have since seen KA in Vegas, and the real story only has slightly more depth (it’s all pantomime and acrobatics)–but there’s also twice as many songs, AND it ends happily for the main characters. The evil village’s son gets killed in the battle and that ends the war, so I apparently got that part right. But the soundtrack doesn’t have the finale song, so here we are.

Anyway, hope you enjoyed that random trip down my memory lane!

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