Firebrand Risk
Breeching Halcyon Hall
May 31, 2024
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Bennett School for Girls, Halcyon Hall

Panel 1. Halcyon Hall, Millbrook, New York, nighttime. The windows glow with light. The shrubbery able to be seen is tidy. The building exudes stateliness and warmth.

Panel 2. Babette de Benedetto—late teens—is kneeling, pressed up against the stone wall of Halcyon Hall. Her curly, black hair is knotted in a bun. She wears trousers and a long-sleeved blouse, but a short, black cape covers most of her torso.

Panel 3. Babette holds a Colt pistol, pointing it down at the ground.

Panel 4. Arlene crouches next to Babette. She wears the same short, black cape as Babette, but is wearing the hood. Arlene has a strained, worried expression.

Arlene

The rest of campus is dark. It must only be the coven awake.

Panel 5. Arlene’s blue eyes widen in fright.

Arlene

Is that your father’s pistol?

Panel 6. Babette pulls on her hood.

Babette

Stay at my back.

Panel 7. Arlene grabs the end of Babette’s cape to stop her from fully standing.

Arlene

You mustn’t!

Babette

There is no other choice.

Arlene

But, Babette…

Babette

They should well know the consequences!

Panel 8. Babette stands, hand on the doorhandle ready to enter.

Babette (v.o.)

I gladly would leave this to others—

Panel 9. Babette charges through the door, gun drawn. Arlene follows with one hand out and the other clutching the gem hanging around her neck.

Babette (v.o. continue)

—but then I wouldn’t make a good leader.

Panel 10. A college-aged girl in black appears. Her outstretched hand has a chunky ring with a jewel on it. Her hand is glowing as if made of embers.

Panel 11. Babette squares herself and pulls the trigger.

Panel 12. The witch falls back, dead.

Panel 13. Arlene appears petrified. Babette is standing resolute, but her hand shakes.

Babette

They’ll be aware of us now. Stay guarded.

Panel 14. Arlene keeps her terrified expression.

Arlene

You killed…. This is too much. We cannot fight the whole Halcyon Coven just us two!

Panel 15. Babette grabs her wrist to steady her gun hand.

Babette

They mean to wipe us out. We had little choice.

Panel 16. They raced through the dimly lit, stately hall with Babette in the lead. Her gun stayed down while Arlene kept her pose with one hand up and one clutching her necklace. There are sounds of several people moving erratically upstairs, some shouts to alert others.

Panel 17. Babette shoots a witch on the stairs as she heads up. Arlene is facing the ground floor, blasting another witch off her feet with a slice of wind.

Panel 18. Babette glanced over her shoulder.

Babette

Don’t leave any alive!

Arlene

I cannot! That’s too far!

Panel 19. A fireball blasts apart a door at the top of the stairs, sending Babette stumbling down a few steps. The coven Matriarch—aged in her sixties with her hair and clothes stereotypical of a school marm—is framed by the destroyed doorway with her hand like embers.

Panel 20. Babette’s hood is off due to the blast. She glares at the Matriarch.

Panel 21. The Matriarch glares back.

Matriarch

It’s the de Benedetto Coven! Raid! It’s a raid!

Panel 22. Babette rushed towards the Matriarch.

Panel 23. Babette shoots once, twice, but the Matriarch deflects both with a mostly invisible shield.

Panel 24. Babette dives down, shooting low.

Panel 25. The Matriarch yelps, faltering, as the bullet rips the hem of her long dress, blasting the wooden floor.

Panel 26. Babette rolls towards the Matriarch, firing another shot. The Matriarch has already rushed from the path, swinging her hand down at the floor.

Panel 27. The floor splinters in a jagged line towards Babette.

Panel 28. Babette rips off her capelet, grips an Italian cameo pinned to her shirt, and throws her hand towards the floor. The line abruptly stops like slamming into an invisible wall.

Panel 29. The Matriarch’s face twists.

Matriarch

Secure the witchboy! Stop that little witch!

Panel 30. The Matriarch sneers.

Matriarch

Leave me to handle Babette.

Panel 31. Babette tucks the pistol away, glancing down towards Arlene.

Babette

Run, Arlene! Find him!

Panel 32. Babette holds out a hand like a shield, the other gripping the cameo. Arlene races off, still on the ground floor and trailed by two witches.

Panel 33. The Matriarch adjusts the clunky, gemmed bracelet on her wrist.

Babette (v.o.)

She is too practiced to tip her hand. She means to bait me to attack first.

Panel 34. Babette’s hand clutching the cameo glows.

Babette (v.o. continue)

So be it.

Panel 35. Babette clasps her hands together, pulling and swirling them apart to gather particles in the air.

Panel 36. The air between Babette’s hands turns smoky and sickly hued.

Panel 37. The Matriarch’s eyes widen fearfully; she steps back and starts to rapidly, repeatedly, draw a circle over her head.

38. Babette pulls her hands apart and disperses the smoky, sickly air towards the Matriarch. A gentle drizzle started over the Matriarch’s head, but she was now coughing.

39. Babette pulls her broach off her shirt and draws a line down her arm with the pin. A line of hot, glowing light follows the path.

Babette

Return my brother, and this ends.

40. The Matriarch snarls. Lightning is sparking on her fingertips. She is not coughing anymore, now sopping wet from the drizzle dispersing over her head.

41. The glowing light spreads across Babette’s arms, looking like lava and embers. The sparks on the Matriarch’s fingers look weak and dull in comparison. A hint of frustration over this is on her old face.

42. The Matriarch struck first this time, sending a jagged bolt of electricity directly towards Babette’s face.

43. Babette blocked with her arm, the magma light brightening as she absorbed the brunt of the magic. Babette clenched her teeth and winced as the residue electricity raced over her, static’ng her curls.

44. Babette counters with throwing a handful of glowing, hot rocks at the Matriarch with one hand, following with a blast of heat from her other.

45. The Matriarch waved her hand, deflecting the hot air. A burst of steam hisses as the rocks hit a wavering water shield.

46. The Matriarch shrieks as the rocks pepper her, knocking her to a knee.

47. Babette steps closer, burning brightly, and with more glowing rocks dancing in her hand. She is staring down at the Matriarch.

Babette

You should have returned my brother.

48. The Matriarch grits her teeth, flicking her hands.

49. The Matriarch stares at her hands in shock.

50. The Matriarch stares up at Babette with more fear than defiance as Babette’s shadow crosses over her.

51. Babette’s expression is grim as her flames light her face, the Matriarch’s cries and shrieks deafening.

52. Babette dashes off, pinning her broach back to her shirt. Over her shoulder is the charred remains of the Matriarch, still kneeling in place. The blackened floor is crumbling beneath her.

53. Babette is drained, sweat on her brow and hands shaking. She rests against a wall and hold her hand out.

54. Babette’s hand flickers a glow, dies, and leaves her with a pained expression.

Babette (v.o.)

I over exerted.

55. Babette checks the gun’s magazine.

Babette (v.o. continue)

I’ll need to reload next encounter.

56. Babette runs off.

Babette (v.o. continue)

I hope Arlene is safe.

57. Babette skids to a halt and ducks behind the corner she nearly clears.

58. Three witches loiter outside a wooden door, murmuring inaudibly. They appear bored and sleepy.

59. Babette’s face lights with excitement and relief.

Babette (v.o. continue)

There you are!

60. Babette steels herself, exhaling and holding the pistol ready.

61. Babette whips around the corner and fires.

62. The middle witch yelps as the bullet rips into her shoulder. The two others stare at her in puzzlement, defenses half-raised.

63. Babette drops the empty magazine, shoving a fresh one in place. She is still moving forward, zigzagging.

64. Babette fires again and hits the left witch squarely through the neck. The right witch is fully on defense. The middle witch is still crying and holding her shoulder.

65. Babette winces as the right witch lashes out, slicing her upper arm with a bright, mint green energy. Babette fires and hits the right witch just as the slice hits her arm.

66. The middle witch disappears inside the door they had been guarding.

67. Babette bursts through the door after her.

68. The room was a bathroom with three stalls and three sinks.

69. Babette looks at the tiled floor.

70. Blood droplets.

71. Babette keeps her pistol up near her shoulders, creeping along the blood trail.

72. Babette stops outside the last stall, at the end of the blood trail. Muffled, sobbing, wheezing is coming from inside.

73. Babette kicks open the door.

Babette

Where is the witchboy?

74. Babette pulls the trigger before the witch waves her hand or opens her mouth.

75. Babette storms into the hall, gun poised.

76. Babette runs up a floor.

77. The floor is empty, darkened, and full of closed doors. There is eerie creaking sounding throughout the hall.

78. Babette remove her broach, squeezing it hard enough for the pin to puncture her hand.

79. Blood droplet hits the wooden floor.

Babette (o.s.)

Truvari. Frati.

[Find. Brother.]

80. Babette falls against the wall, breathing hard. The blood droplet on the floor glows, and a thin line of light stretches from it.

81. Babette grits her teeth and staggers down the hall.

82. Babette turns a corner. Indistinct murmuring reaches her ears.

83. Babette squares against the door, taking a deep breath.

84. Babette taps the door with the gun, waits.

85. The doorknob twists. Babette kicks it, knocking it inward and toppling the witch on the other side.

86. The room beyond the door was a small dorm with two beds. Four witches were in the room; three sitting in the middle of the room and one fallen over near the door. The three in the middle were surrounding a boy of fourteen that greatly resembles Babette (olive skinned, brown eyes, thick and curly black hair—short).

87. One witch sitting on the floor was holding a bloody knife. The witch behind the boy was forcing his arm out. There was a cut dribbling blood on his forearm.

88. Babette’s eyes blaze.

Babette

Zinnia, down!

89. Babette shoots the witch behind Zinnia, and the one with the knife. The third on the floor is lunging for a wand on the nightside table.

90. Babette rounds on the third witch.

Zinnia (o.s.)

Babs, watch out!

91. Babette is knocked back by the door smashing into her. She fires into the ceiling in her disruption. The fourth witch is readying a wand while bracing against the door.

92. Babette shoots through the wooden door. First shot skims the fourth witch’s shoulder, eliciting a surprised yelp. Second shot pierces her, dropping her.

93. Babette shoulders the door, shoving the body aside and opening the door wider.

94. Babette shrieks and drops to a knee as a surge of electricity hits her.

95. The last witch holds her wand steady with one hand. Her other hand is bloody and gripping Zinnia’s arm. There is a smear of blood over her mouth. Her eyes are dilated.

96. Babette shakily raises the pistol off the ground, pulling the trigger despite it not lining up with the witch. It clicks empty.

97. Babette tucks the gun away and grabs her cameo with a trembling hand. Her breathing is jagged.

College Witch (o.s.)

[pained shrieks]

98. Zinnia huddles next to Babette, eyes fearful. He holds the knife used to cut him with one hand. He shakes Babette’s shoulder with his other.

Zinnia

Stand! Please, stand up! Let us go!

[beat]

I’ll find Mamma. Where did you part?

99. Babette shakes her head. Zinnia’s lip shakes.

Babette

Mamma isn’t here.

100. Babette’s vision blurred as she took stock of where the witch was. The witch was cradling her bleeding hand while trying to keep a grip on her wand. She was gritting her teeth, glaring at Babette and Zinnia.

101. Babette tries to stand, but falls back to her knee. Her hand releases the cameo broach.

Babette

Run, Zin.

102. Zinnia holds his bleeding arm to Babette’s mouth. Babette turns her head away.

Zinnia

Lick it.

103. Zinnia touches his wound with a finger.

104. Zinnia forcefully stuck his finger in Babette’s mouth.

105. Babette knocks his hand away, spits uselessly.

106. Babette’s pupils dilate. She stops breathing roughly. She is no longer weakened.

107. Babette snatches her cameo as she stands, holding it out and drawing a circle as she does. A bright bolt of light bounces off the invisible shield as it is drawn.

108. Babette launches a counter, fire burning on her skin before she shoots it.

109. Fire rips across the ceiling, walls, and floor. The beds are on fire. The books burn up. The witch stands in the middle, frantically waving her wand at the flames to keep them at bay.

110. Babette swirled her hand above her head, gathering the heat and smoke. Crackles of electricity appeared in the growing cloud.

111. The cloud burst and dispersed as Babette stumbled. Her hands dropping to her sides and her breathing harder.

112. The witch was still fighting the flames, but most were now out. Her stamina was weakened but miles above Babette’s.

113. Babette’s eyes dart to the knife in Zinnia’s hand.

114. Babette grabs the knife and jumps at the witch.

Babette

Shut your eyes, Zinnia!

115. Babette plunges the knife into the witch’s neck where it meets her shoulder.

116. Babette is sprayed with blood as she pulls and rips the knife out.

117. Babette stumbles away, grabs Zinnia, and half falls out of the room.

118. Babette ushers Zinnia towards the stairs, now leaning heavily on him. Zinnia supports Babette around her waist and holds her arm.

Zinnia

You killed—.

119. Babette pushes Zinnia away to throw up.

120. Babette wipes her mouth, smearing the blood that sprayed on her face.

Babette

There was little choice.

[beat]

Let us get you home. I’ll face consequences after.

121. Babette and Zinnia made their way to the first floor, passing the body of the Matriarch down the grand stairs.

122. Babette wretches open the front door.

Arlene (o.s.)

BABETTE! WHERE ARE YOU?

Babette

Arlene…

123. Babette forces Zinnia outside, handing him the knife.

Babette

Wait for me. I’ll just be a minute.

124. Babette shuts the door between her and Zinnia as she hurries back into Halcyon Hall.

125. Babette cups her hand to her mouth.

Babette

ARLENE!

Arlene (o.s.)

BABETTE?

126. Babette hurries towards the direction of Arlene’s yell, seeing broken and burned pictures and decorative end tables. There were few bodies maimed by magic—two—with signs blood or burnt fabrics to indicate injured had retreated.

127. Arlene was on a decorative wooden bench, legs sprawled out and out of breath. Her hood was off and singed. She was dirty, scuffed, damp.

128. Babette crouched in front of her.

Babette

Thank God! Are you injured?

Arlene

I believe just exhausted. Did you find him?

129. Babette nods and pulls Arlene up.

Babette

He’s out front. We should hurry.

130. Babette helps Arlene back towards the front entrance.

Babette

I will never stop repaying you for your help in rescuing Zinnia. I know you crossed lines—.

Arlene

I’d rather not think on that right now.

131. Babette and Arlene shuffle towards the doors.

Babette

Of course. But, I will not forget this once I lead the coven. I promise.

132. Doors bang upstairs freezing Babette and Arlene in place by the door.

133. Babette yanks the door open, shoving Arlene in front of her.

Babette

Hurry!

134. Babette shuts the door behind her but does not move further. She freezes with her hand on Arlene’s shoulder.

135. Babette’s eyes widen.

136. Arlene was shock-still, wide eyes staring at the knife in her chest. Zinnia held the handle. His eyes wider but expression otherwise neutral.

137. Zinnia rips out the knife. Babette falls with Arlene to the ground, trying to hold her upright.

Babette

Arlene! Hold on, I’ll… I’ll…

138. Babette fumbles her cameo.

Babette

Zin, I need…

139. Zinnia is staring down. Remorseless.

Babette (o.s.)

Zinnia…?

140. Babette drops Arlene as she shoves herself away from Zinnia’s knife, hitting up against the doors.

141. Babette snatches up her cameo and stabs it into her hand with gritted teeth. Glowing power surges from the area, flickering.

142. The glow fades as Babette tries to stand.

143. Babette slides back to the stones, breathing heavy.

144. Zinnia stands above her, her vision fading in and out.

145. Blackness. Thud of Babette falling over.

Zinnia (o.s.)

Sorry, Babs.

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DO.Penny.6

The Sizemores were fairly hands off which Penny took full advantage of once Spring Break started. She went out every morning after a quiet breakfast, and only returned for a quick lunch and dinner. She spent most of the time wandering the woods that surrounded their neighborhood, sometimes alone and sometimes with Gage, Levi, and Colton. Destiny and Whitney were enamored with a stall at the farmers market full of knitted creatures, and had taken to hanging around there to learn how to crochet. Brooke stopped by to join them from time to time, but mainly bounced between the Wilcox house and tagging along after Aaliyah.

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The butterfly took flight. Penny groaned and went after it, taking long and high steps to get through the weeds. She heard Levi taking similar steps–but with more grumbling–behind her. She shushed him as the butterfly lighted on a flower, holding her breath to inch closer.

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“Or, it adds character,” she muttered.

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The trail ended.

She sighed in disappointment and turned back. Her green eyes caught an imprint in the mud, just below the leaves and undergrowth. Her heartbeat started quickening as she ripped the undergrowth aside. She gave a small gasp, scrambling to free her phone from her pocket.

It was a footprint, a clear footprint that was over two feet at least in length. She walked backwards with her phone out until the entire thing fit on the tiny screen, and clicked.

“Do you see—? Levi?” She spun around, finding herself alone. “Levi?”

It wasn’t difficult to find the hair and retrace her steps, but she didn’t see or hear Levi. She didn’t want to wander too far from the fur trail, but it seemed that was what happened with her friend.

“Levi,” Penny called out. “Levi! Can you hear me?”

“P-Penny?”

She exhaled and headed for his voice, calling out every few steps and urging him to stay put so they wouldn’t get more lost. She was confident she would still be able to get them back to the fur trail, and back to the others.

A pungent smell, like burnt hair and wet garbage, drifted before her, causing her to stop and gag. Her heart plummeted.

“Levi,” Penny called out again, “don’t move! I’m—.”

A roar similar to a gorilla’s ripped through the area. Penny ran towards the sound, thorns and branches tearing at her exposed arms, legs, and face.

“Penny! Penny, what was that?”

“It’s a bigfoot,” Penny yelled out. “Don’t move, Levi! I’m coming!”

The bigfoot roared again, sounding much closer to her than to Levi. She stopped and started rustling the trees around her. Footsteps stomped towards her, heavy enough she could feel them in her chest the closer they got. She hurried away, a crash coming from where she’d just stood.

“Levi,” Penny called out. “I’ve got the bigfoot! Don’t come over here! Run!”

The bigfoot looked to be twenty feet tall although Penny knew from her lessons that they rarely crested eight feet. It was a shaggy, brownish-green with a gorilla-like face; a more pronounced underbite caused its bottom fangs to poke out of its lip.

It eyed her with its dark, beady eyes, then slowly started towards her, arms swinging faster and faster as it picked up speed.

She raised her phone, hit the flash, and clicked.

The bigfoot roar, stumbling semi-blinded towards her, undeterred by the flash. She leapt aside, rolled behind a tree, and took another picture.

Penny’s mind flipped between trying to not get pummeled and what Aisling had told her when they covered these creatures. It had been the first one, shortly after learning about magic and the Realm years back, due to the prevalence of them. Huge but elusive, and very adaptable, it was a shorter list to name where they hadn’t been spotted.

She snapped a picture as she ducked a swing. Her heart was going so hard and fast she was shocked it hadn’t burned out.

They were omnivores, but really relished a good chunk of meat which went to explain their stink. They could sweat like humans, or at least mostly, and the raw, unwashed meat did a number on their body odor. Aisling had said a common theory was that the smell was to drive off predators.

“What predators,” Penny breathed, pressing her back to a tree. She peaked out at the bigfoot wildly swinging at the bushes only a few yards away. “That thing could fight a bear if it felt like it.”

Bigfoot didn’t pick fights with bears, not that she could remember learning. Hikers and hunters would have found bodies if they fought–and lost–against any large predator. Other animals wouldn’t find the smell as offensive either, seeing how they each had their own habits that were less than savory to humans.

Penny leapt out from her hiding spot. She jumped up in the air, screaming and waving her phone’s flashlight around. She held firm as the bigfoot charge, yelling and roaring madly. She jumped at it as it slowed; it abruptly stopped. She grabbed a branch and ran at it, still screaming, and swinging the whippy stick wildly. She lashed the bigfoot across the knee as it stumbled back, swinging again and again until it turned and hurried off with big, lumbering strides.

She collapsed, breathing hard, her legs shaking. She stared at the clump of trees where the bigfoot disappeared, gulped, and started bawling.

---

It was hard to know how long it took for Penny to collect herself and return to the guys. Garrett was visibly annoyed and quickly headed back to the house with Gage and a very distressed Levi. Colton didn’t allow her to talk, just ordered her to get on and took off.

Colton’s mom was scolding Garrett when they arrived; Gage and Levi had already fled the scene. Penny slipped off the back of the ATV and backed away. Colton backed off with her.

“Why’d you run off like that,” Colton asked. “Now we’re in trouble.”

“I was taking pictures—.”

“You scared Levi half to death with that bigfoot act,” Colton said coolly. He crossed his arms and narrowed his eyes at her. “It’s not hard to scare him. Why’d you do it?

“I wasn’t–No, look!” Penny pulled out her phone and went into her images. Her heart sank. The pictures were blurry, unrecognizable unless she really searched for individual features like hands or legs. “No…. Colton, wait, look! Th-that’s a han—.”

“Colton!”

He gave her one more glare before walking off to get his shouting.

Penny felt an ache in her middle. Her eyes welled up, and she took off running. She was long out of Colton’s neighborhood before she stopped to catch her breath. A terrible, sinking feeling rooted her to the cement sidewalk. 

There was nowhere for her to go.

With no options, she wandered around until long after the street lights came on before returning to the Sizemore house. Mrs. Sizemore’s car was gone; she most likely was off working a nightshift at the distribution center in the next town. A cold dinner was left on the table.

She climbed into bed. The shadows played across the ceiling. She stared, feeling a heavy pit in her stomach. Her eyes slid closed to stop the pricking in the corners. She thought she heard Aaliyah sob from the next room as she gulped down her own misery.

----------------------------------

The library is based on the old one in Dryden, NY. I never set a town for where Penny is since I'm nit that familiar with WV. Dryden is an offputting town with a decade of dark, grisly murders, so I figured pulling some from there for the town, and half the ATV trails works. The ATV trails and woods are a combo of Dryden and Virgil in NY and Dyersburg in TN. The neighborhood is based on Dyersburg and Smyrna, TN.

I had to put in a bigfoot. Almost every state as bigfoot stories. the WV tales are like the TN ones (both Appalacia based), so if Nellie had run into a bigfoot when in TN, it would be the same variety/subspecies as this guy.

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August 22, 2026
Sketchbook Musings: Ace Gallagher - EVEN more.

 

Ace of Spades, 2010

A good ol' Ace Gallagher for your trouble. 

Guardian's Choice, August 2010

Ahh Eric and Che'la......... Story time!

I started going down a weird tangent for one of the books in the series. Ironically it was the book I never got to in the first round of writing because Doctor Who and Sapphyre derailed me, so I never wrote anything other than basic plot ideas and random out of context drawings - like this one!

The short version is Mioko, after the birth of Maewyn and almost losing his life saving Raeya after childbirth, is strangely drawn to the U'dien islands. He "runs away" and asks Eric, a fisherman, to bring him to the islands so he can try to find out his connection to them. Their boat capsizes in a storm and Mioko ends up washed up on another island where he meets an old man who has a similar past, but Eric ends up in the hidden village of these ...well, fish people. They had a species name but I can't remmeber them.

Eric's arrival fulfills some sort of prophecy by appearing, but he soon finds out that it means he has to procreate with one of the fish people to produce an heir who will do... something? But Eric, understandabily, freaks out. He doesn't know how to escape without being seen or potentially killed, so in a very "Road to El Dorado" plot, he basically gains the trust of Che'la, who also wants to leave the islands, and plays along until they can try to escape. But then, of course, playing along means the two of them inadvertently fall in love...

Meanwhile, Mioko learns from the old man that he was born from the union of a human and a fish person, and the old man knew because he was there (because he was born the same way, but never escaped until he helped an infant Mioko escape... or something otherwise interesting). Soon, Eric and Che'la escape and reunite with them--only for Che'la to fund out out she's pregnant (somehow very obvious for fish people?) and they realize that the cycle has started again.

I have liked Che'la's design, but it's another one of those they probably need clothes kind of thing lol - and the fact she's not fully human but hooking up with a human, and then that would make Mioko also not fully human, and that seems weird. Sorry, Eric and Che'la.

As you know I have since figured out a less weird way to connect Mioko to the islands with the Fae of U'dien calling to him and him escaping with the gem that keeps him alive.

Guardian's Descendant, December 2010

One more of Eric so he gets a little more screen time. They had clothes for him apparently! Also I guess he was an archer. He may still show up as a side charater somewhere; not sure.

Father and Son, January 2011

And a Tier and Ace (and Ignarathos) for fun too!

Cornered, January 2011

I had figured out that the streboris was going to be part of the story in the revised book 2 (where Ace and Dorian get trapped in Phoenix's crater and come across his pet bird dragon), so this was more figuring out what it was going to look like. I had a dream with it and tried to visualize it as best as I could. I've since played with the idea of it being more secretary bird-like, but still having some luminescent qualities.

What's funny is I remember exactly where I was when I drew this - on the floor in my grandma's front room lol. We were visiting her for Christmas/new years.

Oh this one's fun and also not happening anymore! lol

Since I still wasn't sure where Ace of Spades/Tale of Ace Gallagher was going next, I played with an idea where somehow, they destroy the Sword of Ignarathos, but a shard breaks off in the process and lodges in Ace's back (or something). He has no idea (...somehow lol) and before he knows why, he starts transforming into a dracleon himself. So this is sad confused Ace as a dragon kitty.

Once I knew the sword was going to be one of the main parts of the story and got some insight on where I was going, this idea was scrapped. But I still have one sad confused Ace dragon kitty drawing.

These were going to be all the characters featured in "the next story" I never got to; it was going to include the Eric/Che'la/Mioko subplot and a Phoenix dying sub plot. That may be a fun story too....

Giselle (a past Ace girlfriend) finds Ace again after many years - only to discover he is about to get married to Athena. She gets jealous, somehow finds out The Phoenix can time-travel, so she attempts to control where his crystal goes and inadvertently brings herself, Phoenix (who is still wearing the crystal), and Vance (who was trying to stop her) back to the moment Ace meets Athena.

Vance manages to intercept her and tells her the horrors of messing with time, and Phoenix realizes Vance recognizes the gravity of time travel, and finally Giselle agrees and they go back home. Unfortunately, Phoenix is down to his last strength and passes his power and position on to......... Vance. There was no Gallagher connection to the Phoenix yet, though Ace suggests taking the role first before Vance recognizes he'd be the best to take it - but then that makes Ed mad and that part is the same as it is now.

Also James is there! lol... He was SO new when I drew this, and basically got immediately swept into the Gemini Archives that I don't know what he was going to be doing in this story.

Some sketches of Dawn's felavis, Gitanna. She's cute and fun but I haven't decided if she'll make it in the final draft... 

We're almost through all the Ace drawings!

 

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